Song Quotes
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I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
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No matter how many people try, no matter how many fancy songwriters in Los Angeles try to break it down to a formula... to an extent, there isn't a science to writing great songs, I suppose. For me, it's always about melody - it doesn't matter what genre of music you're writing, if there's a strong melodic thing somewhere, whether that's in a vocal or in a guitar part or a sample. Something that sticks in your brain, that seems to be something that works.
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They say, he must had an angel, cuss look how death missed his ass. Unbreakable, what you thought they'd call me Mr. Glass?
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I think it's something to do with the structural quality of the songs. We weren't actually trying to make stuff that was cool, or of the moment, although a lot of it was. We were trying to make stuff that was good enough to stick around and lo and behold, it has.
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You can keep rummaging around until you find a song you like, but you can't predict whether it'll hit or not.
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Vine is where 'Don't' started popping off. A lot of famous Viners used the song, and that was crazy because I had never been a part of something like that. I drank champagne for the first time when it got 100,000 plays.
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Before playing Headfirst Slide Into Cooperstown On A Bad Bet. I couldn't really come up with a short way to sum up this song, but I was watching the movie 'Adaptation' the other day and this sort of sums it up in my head. You are not who loves you. You are who you love. Always remember that.
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'Victorious' for me was a chance to write a song exactly how I was feeling - I was feeling triumphant, I was feeling like I could do anything as long as I've got the people that I love by my side. We're gonna go out and conquer it, and party, and just be awesome.
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But I'm able to just keep going, and that's the challenge. It's the next song. And then just enjoying the shows and people who come out to the shows. It's pretty organic, really.
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When I'm having a song-in-the-shower moment, I go to 'The Blessed Unrest' by Sara Bareilles.
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I've always felt writing a song was a bit like going on location. That's true in an almost literal sense. Where you are seeps in somehow.
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I make my songs slightly abstract so that people can interpret them their own way. I think that's a lot more special, so you can hear a song and think, 'I feel exactly that way,' even if it wasn't written for that feeling.
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I'm writing about what's happening to me now. I mean, I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
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The last thing we would want is for our fans to feel that we're trying to find the 17th opportunity to sell them the same song.
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If you emphasize one part of the song, it trivializes the rest of the music.
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Right before 'Brian's Song' there was a period when I was very despondent, broke, depressed; my first marriage was on the rocks. The role of Gale Sayers had been cast with Lou Gossett, and then he hurt himself playing basketball. I was called in to read for the role. I was their last choice, and I knew it.
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I am not anti-Bush. I am not pro-Iraq. I am pro-peace. I have written a song and created a video which expresses my feelings about our culture and values and illusions of what many people believe is the American dream - the perfect life. Madonna Quotes.
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There's such a huge difference between a great arrangement of riffs and a song. Sometimes the two can be the same. But the difference is a song doesn't necessarily need a riff, whereas a riff doesn't necessarily mean you've got a good song on your hands.
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I probably couldn't have the same experience listening to that song because I'm self-conscious about some of my singing parts.
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If I'm over a song two weeks after I made it, I'm not going to put it out. It has to last months.
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I can't just make a song people can dance in a club to... it still has to be real.
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Honeymoons are great, but they don't last. And I think the same is true with success on the screen - today, I am all over the place; tomorrow, I may be gone - I may have to make room for someone else. So why make a big song and dance about it all?
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Once, he'd used it in song, but the songs in his heart had gone silent long ago, and he knew that one day so would his voice. A man with nothing inside him eventually had nothing to say.
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I still do one song by myself onstage. it gives people the extremely personal thing where it's just me on guitar. But, I think the songs are better as a band. I think with all of the extra little hooks and backing vocals, it just adds to what my initial idea was.