Song Quotes
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The Beatles. I didn't like the first couple of songs, but when I heard "She Loves You', it was like something went off in my head.
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I am a politically motivated person, and that will come through in the music. I'm not sure if every song will be 'Take Me to Church,' but I can only hope that people enjoy the body of work that I have ahead of me.
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I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.
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When you're writing a song and there are five people invested in it, it's easy for one person to say, 'Oh, this song is about this and that', and everyone has to hear the idea and see if they can do better.
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I want my careless song to strike no minor key; no fiend to stand between my body's Southern song - the fusion of the South, my body's song and me.
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I love pop music. It's not easy to write a good pop song.
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Yeah, sci-fi is definitely a big influence on Fear Factory. I've had people tell me we always sing about the same thing but it's like well, if we were a black metal band we'd sing about Satan, you know? What if we were a Christian metal band? All the songs would be about how much we loved Jesus.
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To be honest, that whole exchange with Crunk Feminist actually made me write the song because I realize there's a lot of young women out there so hurt by the misogynistic images in hip-hop they paint it with such a broad brush stroke that they think anybody that defends hip-hop is defending misogyny.
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I am out to sing songs that will prove to you that this is your world and that if it has hit you pretty hard and knocked you for a dozen loops, no matter what color, what size you are, how you are built, I am out to sing the songs that make you take pride in yourself and in your work. And the songs that I sing are made up for the most part by all sorts of folks just about like you.
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I feel that recording a song already compromises the magical music one can create in the mind, so the fewer people watering down this process the better.
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When I was 12, I wrote a legit song - about having my heart broken, of course, because I was 12 years old going on 40. I sang the song for my mom, and she asked, 'Where did you get that song?' I told her I wrote it, and she said, 'Really?' She looked at my grandparents and just said, 'Oh, boy.'
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To create an album of 12 songs, I've got to write about 80 songs. Half of those are totally weird and rubbish.
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I have a very connected history with Bilal. I heard his demo years ago. I heard all of the magic instantly. He's a master at interpretation of song.
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Sometimes a song indicates that it wants to be about a certain thing. And then if you write it, you find that it is about something that you've done.
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A lot of people felt that I was just tying that into the "I Want Your Sex" theme because of the AIDS thing and the prospect of the song's being banned. I thought it was a relevant point to make because of the AIDS thing. I wanted to write a song which sounded dirty but which was applicable to someone that I really cared about. That was my point.
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I got this book called 'How to Write the Popular Song.' I read that and went through all the things they suggested, and I learned how to do it.
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Well, I make every song I sing personal. I've never chosen a song that wasn't.
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By your own soul, learn to live. If some men force you, take no heed. If some men hate you, have no care. Sing your song, dream your dreams Hope your hopes, and pray your prayers.
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Listen up, here’s our song, for the young, the lost, and the underdogs. We’re taking over. We get it right and we get it wrong. But we got used to staying strong. We’re taking over. We’re taking over now, yeah!
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I've been writing songs since I was a little boy. You know, I think I wrote my first song when I was 11.
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I really feel every word to every song a lot more than I have in the past.
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'Dirt On My Boots' is a very different song. I heard the melody, and I heard the lyrics, and I heard the drive of that song. I totally related. It was kinda me when I was on my bulldozer working for my dad.
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The independent role of morphology in mate choice is revealed by the rare instances where the usual association between song and morphology is disrupted.
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Water, wind and birdsong were the echoes in this quiet place of a great chiming symphony that was surging around the world. Knee-deep in grasses and moon daisies, Stella stood and listened, swaying a little as the flowers and trees were swaying, her spirit voice singing loudly, though her lips were still, and every pulse in her body beating its hammer strokes in time to the song.
