Song Quotes
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The music kind of takes care of itself because we've done all that as preproduction in the practice room. So by the time it gets onstage, each song has about one hundred hours of way too much mothering gone into it. So when you see us play live, that is the product of ninety days of practice, over a year of writing, listening to demos on the weekends after practice.
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...there began to come to her a first dim realization of God's humility. Rejected by the proud in His own right by what humble means He chose to succor them; through the spirit of a child, a poor gypsy or an old man, by a song perhaps, or even it might be by the fall of a leaf or the scent of a flower. For His infinite and humble patience nothing was too small to advance His purpose of salvation and eternity was not too long for its accomplishment.
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We are the folk song army, every one of us cares. We all hate poverty, war, and injustice unlike the rest of you squares.
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When I met with Peter Angell, the producer of the CD, we talked about my idea to do songs that I loved and songs that I wished I had recorded. Peter suggested that we pick some songs and see how they work with you and try to come up with arrangements and ideas about how you might want to do them.
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I swear I have at least one good song idea a day. But if I don't get pen to paper in ten seconds, it's gone forever.
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My songs are like my children - I expect them to support me when I'm old.
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The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.
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I don't sit down to write a song; they just come to me from something that somebody says, or something in the news. The punchline comes to me, and I go over it in my head and get the song form. I hadn't been doing that a lot.
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I learned it was crucial to play right on the edge of the beat... It makes you drive the song more. You're ahead of the beat, but you're not.
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By the time I'm in the studio recording my parody, 10,000 parodies of that song are on YouTube.
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I think that it's so powerful for me to go see someone like Bridget Everett at Joe's Pub and watch her weave her songs in and out of these funny, tragic stories - you can talk and sing and it's not this horrible offense, you're going to get thrown in artistic jail.
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Things are much more complicated. Feminism versus pornography, for example. There are a lot of feminists who think it is bad, but others think it's good.
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I always sing Adele in the shower. But everyone should know you never sing an Adele song in public because no one's better than Adele.
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Whether one show one's self a man of genius in science or compose a song, the only point is, whether the thought, the discovery, the deed, is living and can live on.
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Mine is only one of the millions of hearts broken over the death of Whitney Houston. I will always be grateful and in awe of the wonderful performance she did on my song and I can truly say from the bottom of my heart, 'Whitney, I will always love you. You will be missed.'
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There's something inimical about the camera and song.
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American Idols that come off the show and don't have a hit song - that makes it tough. If you come off the show and the song isn't big, and it takes a couple months to get your single out there - that time could be damaging.
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I've learned that people latch onto labels and stereotypes. There was a period when I was asked in every single interview how I liked being the new Frank Sinatra... I think people will soon realize that I do a lot more than interpret old songs.
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People ask me how I make music. I tell them I just step into it. It's like stepping into a river and joining the flow. Every moment in the river has its song.
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I don't think there is any such thing as a song that is completely great or good. A lot of songs becomes massive hits that are just mediocre, and other times there are incredible songs that never get anywhere and you always wonder why.
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Whenever a songwriter writes a big hit, then the next 20 songs they write - no matter how bad they are - get recorded.
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I can't sing “I Believe I Can Fly”. I sing that horrible. But I can sing “I Gotta Feeling” good. I wrote it for my capabilities. So I Gotta Feeling is just about let me make a song to inspire people to have a good time.
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There are times when I want to be plainspoken about my feelings in a song. But there are other times when it's really good to try and get my head around different kinds of song structures, or maybe I might get turned on by trying to write a song that would fit in this one scene in a movie. And by the end of all this, you just end up with a bunch of different ideas. And songs are really just ideas.
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Jeff always had a huge part in making a song a record. You felt like you were capturing lightning in the studio. It was never boring. He always was there to serve the song.