Song Quotes
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When I write a tune - and it's been like this for many years - I always hear in the back of my head some sort of vague, orchestrated, fully fleshed-out big-band version of the song with other parts going on.
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I keep this crazy notebook of song ideas.
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I've always felt I struck out with Doris Day. Her son, Terry Melcher, was a producer I worked for at Columbia, and one day, he asked me to go to her house to play piano on a song she was doing. So I get there, and she has about 30 dogs running around the place - turns out she's a dog rescuer.
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If, on the other hand, the groups of underdeveloped countries, lured by the siren song of the vested interests of the developed powers which exploit their backwardness, contend futilely among themselves for the crumbs from the tables of the world's mighty, and break the ranks of numerically superior forces … our efforts will have been to no avail.
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I usually work on a film soundtrack for two years, turning in a song every few months, and that keeps my creative energy high, because I'm constantly rotating projects. The trick is to make sure I don't work too hard and get exhausted.
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A female vocal can lift a song.
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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If I want to be the sexy Bipasha Basu, then I'll do a song here or a glam role there. But I want to be part of films that are watched, films that earn money and are new age, with author-backed roles.
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I can't just sit down and make a song in a day. It's only possible if you focus on the music and not the sound.
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I would love to have a song that I wrote by myself to win a 'Song of the Year' award.
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Hopeless of all he dared to hope so long, The music born within him dies away; Even the song he loved becomes a pain, Full-freighted with a yearning all in vain.
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There's always ideas buzzing around, but it's whether they actually end up materialising into a song.
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I wrote a song called 'Here on Earth,' and the hook is, 'There's no answers here on earth.' Basically, searching for the 'why' when someone passes away, and I feel really fortunate that my dad lived as long as he did. But no matter what happens or how it happens, it's certainly a stinker.
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The thing I try to do the most is to play in terms of the song and play in terms of what I'm hearing.
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I told Celine Dion not to record that 'Titanic' song. That's about as big as you can get. 'Flashdance?' I thought, 'Welder by day, disco dancer by night - who wants to see that?'
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I can't constantly be trying to write the unwritten song, the song that the 15-year-old girl needs. I need to write the song that I need.
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What does he plant who plants a tree? He plants the friend of sun and sky; He plants the flag of breezes free; The shaft of beauty, towering high, he plants a home to heaven anigh. For song and mother-croon of bird, in hushed and happy twilight heard - The treble of heaven's harmony. These things he plants who plants a tree.
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I played the coronet first, and then I upgraded to the trumpet. First song I learned on there was 'Hot Cross Buns.'
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Love is learning the song in someone's heart and singing it to them when they forget.
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I don't think I worry too much about whether to include a melody line or not in a song. That will come along in a natural fashion. I have always said that a song and a lyric writes itself. I really don't think too much about the actual writing, the arrangements or even the playing. It's second nature by now.
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As a songwriter, I was really into pulling away from the melodrama and the overdramatic type of writing that I was previously always doing. I think over time my songs have become more and more restrained.
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Tinashe doing 'I Wanna Get Better' - it's a really personal song, and it was hard for me to imagine anyone else doing it, but stylistically her and I are so incredibly different that I was fascinated to hear what she'd do with it, and I completely loved it. It just felt like the different expression of a song that, to me, was so stamped in one way.
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The job of singing is to stay open to the river of soul in all its manifestations, the dark and the light, without letting your ego get in the way. I never want to be bigger than the song. I just want you to receive it.
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What a strange power the perception of beauty is! It seems to ebb and flow like some secret tide, independent alike of health and disease, of joy or sorrow. There are times in our lives when we seem to go singing on our way, and when the beauty of the world sets itself like a quiet harmony to the song we uplift.
