Song Quotes
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Come! let the burial rite be read - the funeral song be sung! - An anthem for the queenliest dead that ever died so young - A dirge for her the doubly dead in that she died so young.
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I'm a feminist and the theme of her song is, 'When you're ready come and get it from me.' I'm sick of women being portrayed this way.
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As long as each song makes somebody feel something, I think that's the point of it all. I don't want it to just be background music, you know?
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There's two things that are tough when you're trying to be a songwriter: Number one is, how do I write a great song? The second thing is, how do I write a great song that's right for me?
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I write poetry because I can’t disobey the impulse; it would be like blocking a spring that surges up in my throat. For a long time I’ve been the servant of the song that comes, that appears and can’t be buried away. How to seal myself up now?…It no longer matters to me who receives what I submit. What I carry out is, in that respect, greater and deeper than I, I am merely the channel.
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I use writing as a counselling session - recently I've written a song for Paloma Faith, so after being a singer, I'm happy to keep writing for other people.
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'Despacito' was a song that, from the time I started writing it, I felt that its hook was really catchy and powerful but at the same time very simple.
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Dance music cannot compete with a really great rock n' roll song. There ain't no DJ that's gonna play something that can take 'Mr Brightside' or 'Don't Look Back In Anger.'
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'Wild Horses' is my favourite Stones song. It's so beautiful. I don't mind that it was written for Bianca.
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I don't wanna get into that space where a lot of guys now, their solo album is like eight or 10 songs with other people, you don't get an idea of who this guy is. I just wasn't interested in that.
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All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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My Soul gave me good counsel, teaching me that the lamp which I carry does not belong to me, and the song that I sing was not generated from within me. Even if I walk with light, I am not the light; and if I am a taut-stringed lute, I am not the lute player.
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I really like working with unique and unknown artists, as they usually bring something fresh to a song.
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My hope is that 'Blk Girl Soldier' is a freedom song for black women today who are fighting the macro- and microaggressions of daily life in our city/country/world.
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When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.
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I would start seeing, in just the sense I was saying now, the kind of record it was going to be and what the arrangement demands, and what my vocal part should be in the record. This was all emerging as the song was emerging.
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If you really watch 'The Voice' and follow Adam, he's very ADD. He's kind of one place here, and then he's over here the next minute; he's kind of all over the place. When it comes down to being very serious, and especially when we were talking about the finale song, he's actually very serious, and he's a very good listener.
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In a world where like everyone's so accessible now, to say something new in an article that you can't find out about a n--- through his Twitter or like Googling him or some s--- is rare. Just like how a good song is rare.
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When a song blows your mind the first time you hear it, you don't know where it's going. It's blowing your mind as it's unfolding. Then there's that sensation that you're actually going to remember the song.
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I never have used any other artist as a model for a sound or a song. It always has to come from an emotion, and capturing the essence of that emotion in a song.
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Believe it or not, it's my signature song, 'I Left My Heart in San Francisco,' because it's given me a license to sing all the great songs that I could sing.
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Am I R&B because I'm black? Am I pop because I have a song called 'Milkshake'? Or can I just be who the hell I am? Good Lord, people make it seem like we're doing heart transplants here, but we're just making music!
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'Cover Me.' 'Take Time To Know Her.' 'Warm and Tender Love.' 'Out Of Left Field.' 'Dark End Of The Street.' 'Tears Me Up.' 'My Special Prayer.' All points back to one song. 'When A Man Loves A Woman.' The Grand-daddy to all of my songs. The boss of all of my songs. I have great respect for that song. Always will.
