Song Quotes
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It wasn't until I wrote 'Hideaway' that I found the song I related to as an artist.
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Let's get with it, guys: You don't need to hear a Ministry song to get political. You should be political on your own. We're just a side project to society. So do I care what people think about me personally? No. I just do what I do.
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I am not greedy, so I would gladly give a song to someone else to sing if it makes more sense.
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I'm by no means a pianist. I think that's safe to say, but the piano, for me, I would say it's the enabler. It gave me what I needed and gives me what I need in order to write a song. And I think playing or improvising on the piano is where I feel most liberated and sort of less conscious of all my insecurities or inadequacies.
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This was when she asked him whether it was true that love conquered all, as the songs said. 'It is true', he replied, 'but you would do well not to believe it.
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You can either make it come around or you can't. By the time we would be ready to record a song, we would know for sure that it was the best way we could do it.
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When I put out 'Video Games' in May 2011, it was a 5:25-minute love song; I was surprised when a lot of people said they were listening to it. I was surprised when it went to the radio, without me even knowing how something like that even happens!
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A guy said to me, 'You're so lucky. You have people like Ray Charles, Barbra Streisand and The Beatles doing your songs.' I figured out, though, the harder I work the luckier I get. The secret of anything is to surround yourself with good people if you want a good product.
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I just have a thing in my brain that when I'm about to do something that's genuine or authentic, I think of it in song form. I'll be like, 'Yo, this is a human emotion that no one talks about.'
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After struggling for so long in the industry and writing so many failed songs and hearing 'no' for so long - I'm so grateful every time I hear a song that I was a part of on the radio.
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I've started getting acclimated to writing on the road and on the spot. I just let whatever I feel at the time come out, instead of really sitting there and taking days to write just one song.
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We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.
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I know I get a real kick, an emotional charge, out of playing a song I haven't played for 10 years. It just takes you back to that point in your life.
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If all the media are singing one song, it gets dangerous; it really does.
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I just want to unify people. A crowd full of people singing one song... that doesn't derive from anything dishonest... It's someone's truth.
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Let's say music is needed for only 43 seconds of film. You have to score it so it is an entity, so it won't bother anyone when it ends so quickly. Or if a song runs 2 minutes and 45 seconds, but the titles run a minute longer, you have to arrange that song so it doesn't get repetitious.
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I take my inspiration for the song writing from little experiences, not even if I've experienced them myself but say if something has made me sad, I will use that emotion. I just use everyday life and write about it.
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I just think if the song's good, sing it. I don't care who's doing it. I don't care if it's a country act. I don't care if it's a rock act. If the song's good, sing it.
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Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.
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Touring we thought was a waste of time. It was much more productive and much more creative to write and record. I am glad today that we didn't tour. We knew it begins and ends with a song. Back then the entire business revolved around the song.
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All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
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It's funny how concert dreams are such a recurring thing among musicians. It's like how everyone has that dream of their teeth falling out? Except musicians have this dream of just standing onstage and there being all these people out there, and for some reason, the song isn't starting.
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I think doing a record with B.B. King allowed me the opportunity to blend two different generations across the board and make a song that I hope is extremely impactful.
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I told Celine Dion not to record that 'Titanic' song. That's about as big as you can get. 'Flashdance?' I thought, 'Welder by day, disco dancer by night - who wants to see that?'