Song Quotes
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I wouldn't have made it past the first round of American Idol auditions. It was months before our first song was recorded. The guys were like, 'Just seeng!' And I was like, 'I don't know how to seeng! Can't I just play the triangle?'
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Under the spell of the right song, passion is within reach... love is close by... and you are not alone! With such potency, music should be treated with care. The sound, the feel, the presentation... everything! It is a medicine. It is a teacher!
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I've always wanted to sing, just as I've always known that one day I would have my own niche in the annals of song. It was a feeling I had.
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Meanwhile music pounded / across hearts opening every valve to the desperate drama of being / a self in a song.
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My God is the green tide in the spring leaves the redness of cherries high in the air the excitement of shooting stars the song of birds in summer branches the sunrise on a winter's morning the name of everything we don't understand.
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I've just put my heart and soul in a song and need at least a week to recover.
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I'm definitely not a song-and-dance guy, and if you've ever heard me sing, you would understand that, 'No, maybe that's not your thing.'
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I can't constantly be trying to write the unwritten song, the song that the 15-year-old girl needs. I need to write the song that I need.
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I've always felt that the quality of the voice is where the real content of a song lies. Words only suggest an experience, but the voice is that experience.
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We have to play 'Livin' on a Prayer,' 'Bad Medicine.' We have to play them, and we want to play them, and that's what we're supposed to do. It's like going to see The Beatles and them not playing your favorite song. It's not the right thing to do.
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There are so many things that can go wrong while performing. I've had violin strings break; I've had pants that were slowly falling down, and I'd have to pull them up in between every song; my hairpiece was falling out, so a big chunk of hair was just flapping around as I danced, and I've completely fallen on my butt.
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I don't know if a song is going to be a hit or it's going to flop. I never know. I just do the music and if people like it, they like it.
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The 'Downward Spiral' album was a record all about beating everybody up - and then 'Hurt' was like a coda saying maybe I shouldn't have done that. But to make the song sound impenetrable because I thought it was a little too vulnerable, I tried to layer it in noise.
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There's not one Tin Pan Alley song on my record.
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I'd write songs like 'One Big Holiday,' and we'd play it and say, 'It's too heavy for 'At Dawn.' Let's save it for the next one.' We had more time for that, but when you mix a song, the general rule of thumb for us is a song a day or usually a day and a half.
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Dance music cannot compete with a really great rock n' roll song. There ain't no DJ that's gonna play something that can take 'Mr Brightside' or 'Don't Look Back In Anger.'
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The best song is what resonates with that one person the most. It's why, if you ask a million people on the face of the Earth, they're all gonna have different favorite songs, their own best song ever, because that's the one that touched them the most.
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Somebody described it to me the best as when you go in to write a song with two people that you've never met, you're pretty much going in and taking off your pants in front of strangers, so it's a really weird feeling.
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I'm the kind of person who needs to feel like everything happens for a reason. When you date a guy and it goes badly, that's horrible. But if you can write a song about it, then it was worth it.
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When I'm writing obviously I have all the nostalgia in the world, I have all the emotion in the world, but then when I actually perform, I need to just perform it, and that's it. I do retain like a little bit of it because I have to, I sing and perform the songs so I have to - it's a performance of the songs - but I just have to get the right balance.
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We all love to sing, and when we sit down to write a song I think it kind of shows itself to us.
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That's part of the curse: If you're gonna play the song, you better play it. I've tried to phone in 'Jeremy' a few times, and it's tough. It doesn't work.
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The process is always the same. I get an inspiration for a new song, I put it down on paper immediately so I won't lose it. When I am ready to go to the studio with it, I play it a few times on the piano and edit, add, and type the lyrics and take it to the studio. Sometimes I don't have anything on paper.
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I write poetry because I can’t disobey the impulse; it would be like blocking a spring that surges up in my throat. For a long time I’ve been the servant of the song that comes, that appears and can’t be buried away. How to seal myself up now?…It no longer matters to me who receives what I submit. What I carry out is, in that respect, greater and deeper than I, I am merely the channel.
