Song Quotes
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I'm scared of karaoke. I think if I did have a go to karaoke song, it would be 'Whatta Man' by Salt-n-Pepa.
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A song versus an album is not like a scene versus a play.
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We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.
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It's very rare - and it does happen on occasion - where I'll take a piece of lyric and I'll just sit down and purposefully craft that melody around that lyric because I think the lyric is the wellspring for the song, without question.
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Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
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Lyrics can be important, but ultimately, what pulls people in on a song is melody and the tracks and the way music feels.
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My goal is to put out an album with every song being an original composition of mine. I want the credits to read, 'All songs written by Gregory L. Allman' - that is something I really want to make happen.
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I think any song should sound good just played on a solitary instrument with the vocal. If you have those basics you have all you need. The production then just polishes that idea into the finished thing.
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I'm a feminist and the theme of her song is, 'When you're ready come and get it from me.' I'm sick of women being portrayed this way.
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I got to see Jack White. I love his new album. There's a song on the album called 'I Think I Should Go to Sleep' that my son loves. We play it on a loop around the house, and he just bounces around.
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What I've learned is that music affects the way you feel. A song can change someone's life.
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It doesn't matter what age you are, an effective song will move you.
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Most people who ask me what's my favorite song, expect that it's 'Midnight Train' or 'Neither One of Us.' But actually, it's always kinda been 'The Need to Be' because of what it says. I love the way that song was written, I love the melody, I love everything about it.
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Jaden Smith is a good friend of mine. We've got that song that just dropped on the 'Rich Forever II' tape, and we got a couple other songs that we have in the cut.
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It's never like, 'Now I'm going to sit down and write this or that kind of song.' The melodies may show up in the car, in the shower.
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Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.
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The main thing you worry about is just coming up with songs at all. I don't sit down and write stuff like certain writers do. They think about what they are going to write first and then they write it. I just get what comes in at me. It's like I'm a musician and if I can keep my mitt on, I can catch the balls that come at me.
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What a strange power the perception of beauty is! It seems to ebb and flow like some secret tide, independent alike of health and disease, of joy or sorrow. There are times in our lives when we seem to go singing on our way, and when the beauty of the world sets itself like a quiet harmony to the song we uplift.
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What happened during the previews of 'Taboo' musical was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, "Oh, he was a drug addict and he did this and that..." It was really looking at the music and it was really complimentary. It was a huge thing.
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Writing-wise, I started when I was 17. Whatever was bothering me, I could just write about it in a song. I was in the west suburbs of Chicago, then I moved an hour south, and then I went to school up on the South Side - Saint Xavier, though I was at Purdue for a second before I dropped out.
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There's only so many things to sing about, so what's going to make a song appeal to you more than someone else's is just a unique way of saying the same thing.
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Kind words are the music of the world. They have a power which seems to be beyond natural causes, as if they were some angel's song, which had lost its way and come on Earth, and sang on undyingly, smiting the hearts of men with sweetest wounds, and putting for the while an angel's nature into us.
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Anyone involved with songwriting will testify to the fact that each song, no matter how pure or from the heart, has its own story, its own peculiar way of getting written.
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We have to play 'Livin' on a Prayer,' 'Bad Medicine.' We have to play them, and we want to play them, and that's what we're supposed to do. It's like going to see The Beatles and them not playing your favorite song. It's not the right thing to do.
