Real Quotes
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Painting is a magical process that I like, where you conjure something out of nothing; you get a little idea that leads you through ... You can go into a trance while you're doing it, so it's a nice contrast to real life.
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Everything has become very corporate and very careful. Before we had a real democracy going and there were a lot of freedoms and now there's this terrorism thing that everybody's focused on, which is really a boondoggle in my opinion. It's just an excuse to clamp down on people's free speech. And corporations intimidate people and everybody's gotten intimidated and that's really what it is, and they just keep going along. It's almost like - a little bit like that Charlie Chaplin movie, Modern Times, or 1984, Orwell
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What would I advise an aspiring young entrepreneur? Certainly I'd say read the works of great entrepreneurs and investors like Ben Horowitz, Peter Thiel, and many others. But what's more important is to get real experience at a great startup.
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Luxurious food and drinks, in no way protect you from harm. Wealth beyond what is natural, is no more use than an overflowing container. Real value is not generated by theaters, and baths, perfumes or ointments, but by philosophy.
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That hurt me - that's what drove me into depression where I didn't care. Once I saw my grandmother and him, I lost all of what I had in me. I said, 'He's the reason she looks like that.' I'm still not out of it. I get real disturbed at night. Imagine this person you came out of the womb looking up to. It's just tough, man.
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Well, I think that the image is a part of me. I wear the baggy pants, the hats, the whole nine. And you know, I may add a little for the excitement and the intrigue in the videos, but my family has told me that little air of mystery that surrounds me is for real.
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Real laughter is spontaneous. Like water from the spring it bubbles forth a creation of mingled action and spontaneity - two magic potions in themselves - the very essence of laughter - the unrestrained emotion within us!
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The functions of the president are prescribed by the Constitution, but his real achievements are not set by the letter of the law. They are determined rather by his personality, the weight of his influence, his capacity for managing men, and the strength and effectiveness of the party forces behind him.
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Crying wolf is a real danger.
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In some ways, being No. 2 in the ratings is a real shot in the arm, a kick in the pants.
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I hear that I'm funny, and I think I'm funny, but I go in all the time for multicam, and they say that I'm not big enough, or I'm too big. I'm so confused. Okay, well, I'm funny in real life.
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I prefer the mystic clouds of nostalgia to the real thing, to be honest.
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In a world that daily disconnects further from truth, more and more people accept the virtual in place of the real, and all things virtual are also malleable.
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This joy of discovery is real, and it is one of our rewards. So too is the approval of our work by our peers.
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The real power of comics is writing as you draw.
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I used to say that 'happy' was like 'lucky,' kind of imaginary. But now that I'm married and have children, I find that happiness is a real space.
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Patriotism is often an arbitrary veneration of real estate above principles.
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My real thinking and planning gets done when I'm doing something else like driving or walking or taking the shower.
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The Russians had got a real head-start into space; America was playing catch-up.
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The incomparable James Walvin has done it again: he has crafted a beautifully written and deeply informed single volume history of the Atlantic slave trade and its consequences on three continents. This book is full of fresh ideas and astounding detail; it is at once great storytelling, punctuated with real people and voices, and an unblinking analysis of numerous great questions and paradoxes about the power of slavery in creating the Atlantic world over four centuries.
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No one blames themselves if they don't understand a cartoon, as they might with a painting or 'real' art; they simply think it's a bad cartoon.
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I'm a real Swede! In fact, I'm a quarter Finnish.
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In L.A., I played with Joe Pass and Gabor Szabo. Mick Goodrick plays guitar in the Liberation Music Orchestra, and he's a real special player. Then I did a duet concert with Jim Hall at the 1990 Montreal Festival.
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I don't want to make a show about AA because it's a personal experience for anybody who is a part of that. My relationship with it has changed over the years, and I wanted the show to reflect that in a real way.
