Real Quotes
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To make a book convincing, it's less important that the right tree be in the right place than that the characters are emotionally real.
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I can walk into a restaurant and knock five guys out, become 5-0 real quick. It's about the quality of opponent. You have to beat the right guys to call yourself the No. 1 contender.
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Winning HOYS set me up for the future and prepared me for riding in front of lots of people, but the real highlight was the London 2012 Olympics. Being able to go out in front of thousands of people, on your home ground, representing your country and winning gold medals is something I'll never be able to beat.
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You only do exercises in art school. That's not the real thing. A little bit tells you so much. You have to find your own self. And you don't know what you are! But that's what you have to search for.
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I don't like false happy endings, and I don't think the real world is such a forgiving place.
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Real life doesn't exist on a network television comedy. They just don't let you travel down any road that is presumably 'dark.'
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Real worth requires no interpreter: its everyday deeds form its emblem.
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Mental fire is what won't burn real sticks; mental water is what won't necessarily (though of course it may) put out even a mentalfire.
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Men create real miracles when they use their God-given courage and intelligence.
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The real or supposed rights of man are of two kinds, active and passive; the right in certain cases to do as we list; and the right we possess to the forbearance or assistance of other men. The first of these a just philosophy will probably induce us universally to explode.
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Real zeal is standing still and letting God be a bonfire in you.
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I'm really interested in real people in extraordinary situations. The detail and reality to that.
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Is this just math that you do as a Republican to make yourself feel better. or is this real?
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There is something about dance that is actually a great tension. There is something that is incredibly freeing about dancing for dancers who do it. They tend to be really arty and interesting people in real life.
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Research is what drives me. When I get a script, I go to the real world and touch the real people.
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I try to watch only real things, which basically amounts to C-Span for me. I like real people in real situations. I learn from that.
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I try to look at every role the same way, regardless of whether the character is real or the character is a fantasy. I always start from myself, because you have to know yourself first.
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The oldest theory of art belongs to the Greeks, who regarded art as an imitation (mimesis) of reality. The strength of that theory is that it explains the way in which art takes its materials from real life.
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Bixio-Frizzi-Tempera was a real co-operative team. My first instrument was the guitar, Tempera played piano and keyboards, themes were composed sometimes by one, sometimes by the other, sometimes together.
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Setting is the bedrock of your story. If you choose a real-world backdrop, be certain you get your facts straight.
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What I've learned is that real change is very, very hard. But I've also learned that change is possible - if you fight for it.
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I think at least my philosophy of leadership is you focus more on the areas you have to improve or the mistakes than you do on your successes. And that's just how I am in real life. I don't want to let down my customers, my employees, my shareholders.
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Marilyn Monroe and Vivienne Leigh are real icons of mine. In terms of visual culture, they are both so iconic. There weren't any paparazzi shots of them falling out of taxis, so they will always look so incredible.
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I'm kind of this control freak that likes to create his own hells before the real one can get to him
