Real Quotes
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People are like, 'What's Game of Thrones about?' I'm like, 'It's in the title.' For real, this is a game for the Iron Throne. No matter what character you are, you're sucked into that at some point.
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Since most of the subjects depicted in this work are not real, it is not unreasonable to hope that connoisseurs will readily overlook their defects.
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I like to make the best of what I have. I'm not a supermodel, clearly. I'm not a makeup artist. I'm a real woman.
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How much do you engage yourself in what's truly real and important in life? That's the individual question.
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I don't pay attention to celebrities. I don't photograph them. They don't dress so... interestingly. They have stylists. I prefer real women who have their own taste.
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Weeds and nettles, briars and thorns, have thriven under your shadow, dissettlement and division, discontentment and dissatisfaction, together with real dangers to the whole.
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I'm loyal. I'm real. I'm not afraid to say what I'm thinking.
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I was in something called 'Garth Marenghi's Darkplace' which was a real cult comedy; it's sort of a spoof horror sort of thing, and it only ever had one series, but I liked the fact that it only had one series because it's kind of got this little gemlike quality to it that there were only ever six episodes.
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More and more, the things we do in real life will end up as Facebook posts. And while we may be consoled by the fact that most of this stuff is being posted just to our friends, it only takes one friend to share that information with his or her friends to start a viral chain.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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I've heard 'Uncle Tom's Cabin' read, and I tell you Mrs. Stowe's pen hasn't begun to paint what slavery is as I have seen it at the far South. I've seen de real thing, and I don't want to see it on no stage or in no theater.
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Cyberspace can't compensate for real space. We benefit from chatting to people face to face.
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Self-dealing, essentially, occurs when managers run companies to line their own pockets instead of those of the companies' owners. It's been a perennial problem in American capitalism and became a real dilemma when America moved toward a model in which corporations would be run by professional managers who had only small ownership stakes.
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I had spent my childhood making up adventures in my head. Then I realized when I went to acting school that there were adventures written down, and you could learn lines, and you could do the adventures for real, not just in your head.
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My real musical discovery started when I was 10 with Stevie Wonder and the Jackson 5, and acts that I connected with because they were young when they were doing it, like me. Then I kind of came into my own a couple of years later; I found new artists that shaped my musical landscape. For instance, Kings of Leon played a big part in that.
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I've never been conscious of having any real career plan, and I do not have a wish-list of actors, directors, screenwriters, or cameramen I'm hoping to work with. Life, I feel, has a way of leading us to the right situations and people, or at least to interesting ones.
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I say the real and permanent grandeur of these States must be their religion.
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We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
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'The Art we look at is made by only a select few. A small group create, promote, purchase, exhibit and decide the success of Art. Only a few hundred people in the world have any real say. When you go to an Art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires...'
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The thing with drama is you're allowed to invent people who are maybe slightly better than real people.
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Even as a kid in drawing class, I had real ambition. I wanted to be the best in the class, but there was always some other feller who was better; so I thought, 'It can't be about being the best, it has to be about the drawing itself, what you do with it.' That's kind of stuck with me.
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Neither machines, nor the commodities made by them, rise in real value, but all commodities made by machines fall, and fall in proportion to their durability.
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I've met Dick Syron. I like the guy. He's a man's man kind of character, a real charmer, the kind of guy you'd want to have a beer with, as well as being an economist of considerable repute.
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There is violence in real life but I would never impose violence in a film just to attract the audience.
