Photograph Quotes
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A photograph is a mirror; mostly it reflects the prejudices of the viewer.
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The photograph is an incomplete utterance, a message that depends on some external matrix of conditions and presuppositions for its readability.
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I tried to keep both arts alive, but the camera won. I found that while the camera does not express the soul, perhaps a photograph can!
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Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen.
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I have a terror of things being nice and knowing what to expect. Making a photograph is a license to have experiences that I would not otherwise have.
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This is the gift of the landscape photograph, that the heart finds a place to stand.
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My urge to photograph is activated by an almost biological instinct for preservation from disorder. The camera is a mechanical apparatus that extends my natural ability and desire for meaningful organization. I need it to survive.
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In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
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I dug myself a garden, and a stray cat I grew to like would come around to sulk in the corn. I forced myself to seek new love, and for a while, I thought I'd found it with a girl from my office. She was molten in my bed, but she also suffered depressions that were very dear to her. She would often call just to sigh at me for two hours on the phone, wanting me to applaud her depth of feeling. I cut if off, then missed her, wishing that I'd at least had the sense to take her naked photograph.
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While I have devised various formal strategies for articulating [my] concerns, I think fundamentally the work is driven by a basic curiosity. I seek to find out things about people by making photographs of them.
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We must remember that a photograph can hold just as much as we put into it, and no one has ever approached the full possibilities of the medium.
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Light is everything in photographs and has to be considered in all situations.
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To the vast majority of people a photograph is an image of something within their direct experience: a more-or-less factual reality. It is difficult for them to realize that the photograph can be the source of experience, as well as the reflection of spiritual awareness of the world and of self.
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There are certain pictures I can never take. We turn on the TV and are smothered with cruelty and suffering and I don't need to add to it. So I just photograph peaceful things. A vase of flowers, a beautiful girl. Sometimes, through a peaceful face, I can bring something important into the world.
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People in the world wish to make things rigid, things which are of the finest nature which words cannot explain. When a person describes the hereafter, it is just like wanting to weigh the soul or photograph the spirit. I personally think that you must be able to realize yourself what the hereafter is. You must not depend upon my words.
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When I look at pictures I have made, I have forgotten what I saw in front of the camera and respond only to what I am seeing in the photographs.
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While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
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There are no forms in nature. Nature is a vast, chaotic collection of shapes. You as an artist create configurations out of chaos. You make a formal statement where there was none to begin with. All art is a combination of an external event and an internal event… I make a photograph to give you the equivalent of what I felt. Equivalent is still the best word.
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I like to photograph democratically.
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The content of Saul Leiter's photographs arrives on a sort of delay: it takes a moment after the first glance to know what the picture is about. You don't so much see the image as let it dissolve into your consciousness, like a tablet in a glass of water.
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For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality.
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Let the subject generate its own photographs. Become a camera.
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A photograph now is more of a communication tool than anything.
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I don't photograph for other people. I love an audience, mind you. Once I've got them there, then I love an audience. Not a big audience, though. I'd rather please ten people I respect than ten million I don't. But I don't play to an audience, I do it for myself.
