Photograph Quotes
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Much like photographs, I also love the idea that ghosts are memories frozen in time. We can be haunted by both just as horrifically. One really becomes a metaphor for the other.
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For each final photograph, I'll have shot loads of film. I suppose people don't see all that. But when someone looks at a piece of work, they know something has gone into it, even if they can't lay their finger on what it is.
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There are certain pictures I can never take. We turn on the TV and are smothered with cruelty and suffering and I don't need to add to it. So I just photograph peaceful things. A vase of flowers, a beautiful girl. Sometimes, through a peaceful face, I can bring something important into the world.
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While we cannot describe its appearance (the equivalent), we can define its function. When a photograph functions as an Equivalent we can say that at that moment, and for that person the photograph acts as a symbol or plays the role of a metaphor for something that is beyond the subject photographed.
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A photograph is a picture and no more true or false than any other depiction; why is that so hard to comprehend?
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While I have devised various formal strategies for articulating [my] concerns, I think fundamentally the work is driven by a basic curiosity. I seek to find out things about people by making photographs of them.
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There are moments that you suffer a lot, moments you won't photograph. There are some people you like better than others. But you give, you receive, you cherish, you are there. When you are really there, you know when you see the picture later what you are seeing.
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Literally, no man ever sees himself as others see him. No photograph or reflection ever gives us the same slant on ourselves that others see. It has often been proved on the witness stand that no two people ever see the same accident precisely the same way. We see through different eyes and from different angles. But if we could see things as other people see them, we could come closer to knowing why they do what they do and why they say what they say.
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Light is everything in photographs and has to be considered in all situations.
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To the vast majority of people a photograph is an image of something within their direct experience: a more-or-less factual reality. It is difficult for them to realize that the photograph can be the source of experience, as well as the reflection of spiritual awareness of the world and of self.
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I have a terror of things being nice and knowing what to expect. Making a photograph is a license to have experiences that I would not otherwise have.
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I can photograph someone if I can touch them.
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Our memory is like a shop in the window of which is exposed now one, now another photograph of the same person. And as a rule the most recent exhibit remains for some time the only one to be seen.
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The photograph is an incomplete utterance, a message that depends on some external matrix of conditions and presuppositions for its readability.
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I can't verbalize the internal meaning of pictures whatsoever. Some of my friends can at very mystical levels, but I prefer to say that, if I feel something strongly, I would make a photograph, that would be the equivalent of what I saw and felt.
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This is the gift of the landscape photograph, that the heart finds a place to stand.
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I like to photograph democratically.
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A photograph now is more of a communication tool than anything.
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My urge to photograph is activated by an almost biological instinct for preservation from disorder. The camera is a mechanical apparatus that extends my natural ability and desire for meaningful organization. I need it to survive.
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My way of photographing is my way of life. I photograph from my experience, my way of seeing things.
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I photograph different people all the time. I like to shoot all kinds of people.
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People in the world wish to make things rigid, things which are of the finest nature which words cannot explain. When a person describes the hereafter, it is just like wanting to weigh the soul or photograph the spirit. I personally think that you must be able to realize yourself what the hereafter is. You must not depend upon my words.
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For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality.
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Language is a very complicated thing, and that's one of the reasons why I like making photographs.
