Photograph Quotes
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If you open up a magazine and there's a photograph of you with a giant red circle around your thigh, like, look at this cellulite, any person - I don't care what you do - would be mortified. It's no wonder people get crazy about it.
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I don't consider my photographs fashion photographs. The photographs were for fashion, but at the same time they had an ulterior motive, something more to do with the world in general.
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The spiritual aspect of my work has more to do with the sense that things in the world can be perceived and accepted as being in some respect alive. I try to approach everything that I photograph with this sense of wide-eyed awe.
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My urge to photograph is activated by an almost biological instinct for preservation from disorder. The camera is a mechanical apparatus that extends my natural ability and desire for meaningful organization. I need it to survive.
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A photograph is a picture and no more true or false than any other depiction; why is that so hard to comprehend?
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Grigsby's marvelous exploration-a deep, wide, and beautiful inquiry into Sojourner Truth's use of technology-features more of her photographs than have ever been collected before. Among its many insights, I especially relished the analysis of Truth's illiteracy. Enduring Truths is art history with a wide-ranging concept of history left in. A terrific book, and one we've needed for a long time.
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There are no photographs while I'm reloading .
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You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.
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If you finish like a photograph, on the other hand, the picture has as much personality as a photograph.
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I guess my choice of medium depends on how I want to interpret the idea. Sometimes the interpretation works best in a photograph, and then sometimes it works best in a drawing. But most often times, with the work, everything starts with the diorama with the photograph. Then I'm just filtering out ideas and images from the photograph and reinterpreting them in other mediums.
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When you can't think of anything else, photograph graffiti, nudes, or plants.
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The photograph keeps open the instants which the onrush of time closes up forthwith; it destroys the overtaking, the overlapping, the metamorphosis of time.
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For each final photograph, I'll have shot loads of film. I suppose people don't see all that. But when someone looks at a piece of work, they know something has gone into it, even if they can't lay their finger on what it is.
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A true photograph need not be explained, nor can it be contained in words.
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Photograph each day so we can live forever
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Much like photographs, I also love the idea that ghosts are memories frozen in time. We can be haunted by both just as horrifically. One really becomes a metaphor for the other.
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People in the world wish to make things rigid, things which are of the finest nature which words cannot explain. When a person describes the hereafter, it is just like wanting to weigh the soul or photograph the spirit. I personally think that you must be able to realize yourself what the hereafter is. You must not depend upon my words.
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A photograph must come from imagination and not be a reflection of what is.
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So long as people expect paintings to be simply coloured photographs they get no individuality and, in the case of portraits, no characterisation.
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The familiar photographs that many people carry with them always obviously belong to the order of fetishes in the ordinary sense of the word.
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Man Ray... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only about 10 percent of the photographs and videotapes, most people think of him as omnipresent in my work. It irked me sometimes to be known only as the guy with the dog, but on the other hand it was a thrill to have a famous dog.
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Of course, the camera is a far more objective and trustworthy witness than a human being. We know that a Brueghel or Goya or James Ensor can have visions or hallucinations, but it is generally admitted that a camera can photograph only what is actually there, standing in the real world before its lens.
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The urge to create, the urge to photograph, comes in part from the deep desire to live with more integrity, to live more in peace with the world, and possibly to help others to do the same.
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I like to photograph democratically.