Photograph Quotes
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I like to photograph democratically.
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Whatever it is about pictures, photographs, it's just about impossible to follow up with words. They don't have anything to do with each other.
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I started making photographs as if I were a child myself. This got me to look at things more closely, more slowly, and from vantage points I hadn't considered before.
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I abstract it in my photographs: I like large planes and spaces, areas of texture and light, like deserts or oceans or monumental places.
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People in the world wish to make things rigid, things which are of the finest nature which words cannot explain. When a person describes the hereafter, it is just like wanting to weigh the soul or photograph the spirit. I personally think that you must be able to realize yourself what the hereafter is. You must not depend upon my words.
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Man Ray... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only about 10 percent of the photographs and videotapes, most people think of him as omnipresent in my work. It irked me sometimes to be known only as the guy with the dog, but on the other hand it was a thrill to have a famous dog.
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I have a terror of things being nice and knowing what to expect. Making a photograph is a license to have experiences that I would not otherwise have.
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When I'm ready to make a photograph, I think I quite obviously see in my minds eye something that is not literally there in the true meaning of the word. I'm interested in something which is built up from within, rather than just extracted from without.
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The only thing that gets in the way of a really good photograph, is the camera.
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There's no particular class of photograph that I think is any better than any other class. I'm always and forever looking for the image that has spirit! I don't give a damn how it got made.
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Never stop looking, no matter where you are, everywhere there are good photographs
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Today a lot of things are so celebrity-oriented; it's only because it's celebrity and the photograph is lost. To me it's important to have an image that is a photograph first, not about necessarily who that person is.
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The urge to create, the urge to photograph, comes in part from the deep desire to live with more integrity, to live more in peace with the world, and possibly to help others to do the same.
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I can photograph someone if I can touch them.
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There are certain pictures I can never take. We turn on the TV and are smothered with cruelty and suffering and I don't need to add to it. So I just photograph peaceful things. A vase of flowers, a beautiful girl. Sometimes, through a peaceful face, I can bring something important into the world.
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In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.
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A photograph now is more of a communication tool than anything.
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I do photograph things for people to look at 100 years from now. But we're such a mediated society that things become historical the next day.
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I don't look at other photographs much at all. I don't know why. I study my own a lot.
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For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality.
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We do not see everything in the environment in the complete, totally resolved, explicit character of the photograph. We, in fact, prioritize our seeing.
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I photograph different people all the time. I like to shoot all kinds of people.
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While I have devised various formal strategies for articulating [my] concerns, I think fundamentally the work is driven by a basic curiosity. I seek to find out things about people by making photographs of them.
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I think with being blind the one thing you would have going is that you could still feel things, see your way around so to speak. And if you had had the experience of seeing at one time in your life, then you would know what it was like and be able to function. I've said this before, I think I could really photograph blind if I had to.