Directors Quotes
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Developing films with directors, developing films with actors, is a poor percentage play for a screenwriter.
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On a simple level, you need directors who are good at action and can choreograph an action scene, but you need them to also have that sense of fun and that sense of movement and that ability to get the actors to really respond to the material in the way that you want them to. It's a very big thing.
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One thing about being a stand-up is it's a one-man show. You gotta do everything. You're the producer, writer, director, and the actor. You just gotta be out there and perform and give your all. It's such an honest form of art that it just taught me so much, and it kind of prepared me for manhood at an early age.
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I guess I'm not jaded because I still believe that there are good films out there, and there are great directors, and there are great writers. It just takes a little bit more perseverance and a little bit more time to find [them].
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I tell people all the time that producers, writers, and directors really don't know what they want until it walks into the room - you have to show them what they want. Everyone is rooting for you when you walk into the room. Everyone wants you to be good because it means their day is over!
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Honestly, I look at the project and I look at the people attached and I look at the director. If it's a role that I feel will help me, as an actor, then I'll definitely take it.
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Usually when you meet with a director, just meeting them after you've seen something you're interested in, they say, "Oh I'd love to work together," and sometimes you never hear from them again.
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I had no plans to be a director.
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I don't think Hollywood makes many good films anymore. How many directors can you really trust to have an artistic vision, not a corporate vision or a watered-down communal one?
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As a director, my job is to protect. I protect scripts, actors, cameramen, designers.
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I was lucky, life provided a chance to work with great directors and actors.
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I like bold directors. I like directors that go against the norm in a way.
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A good script and a good brief from the director is enough to let me know what is expected of me.
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You'd put yourself in a play and get to know the system and learn how to be directed, and then you could be a director. So, I've just always done it. It was always a hobby. The funny thing was that when I started to get paid to do it as a professional job, I lost my hobby. I don't know what to do. I have to take up something else now.
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But I did on projects that I produced, that I directed, that I acted in because it was important. I want to be a filmmaker. I don't want to be an actor who directs, I want to be a director. I want to be a filmmaker. So that's a big difference.
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There's very few directors that know what that rehearsal's for. And often it's just about calming down the director. If he could see it or she sees it, she goes oh, it's going to be okay.
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Carbon trading engages finance directors. It takes the issue of energy efficiency right to the top of the company.
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Lloyd Richards is another director who was like that, who was a teacher.
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I like directors that give their composer a juicy role in their films. Some films have a small, minor role for music, some have a larger role.
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I never worry about what they think about me. Because I feel so far away from what my Italian colleagues have done that I almost automatically become an isolated director.
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Well, it gives me the opportunity to make the movies that I want to do, because L'Oreal pays me very well. Also it means that I can work with great directors. My last commercial was directed by Erick Zonca, who made 'Dream Life of Angels.' And finally, it doesn't take up a lot of my time.
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An accent like mine and a face like mine, I think a lot of the time it's easy for casting directors to just stick me in as a bad boy, but 'Being Human' took a risk on me - bless 'em - and I'm not that bad boy no more.
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There are directors who, their direction is high, but then when you challenge it, it crumbles. They can't back up what they're asking.
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I think that the process of trying to become somebody else, and obviously the director/actor relationship in trying to do that, is such a weird, undefinable thing.
