Projects Quotes
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We look at each one [project] and consider the context - what it is and what it can be - beyond the strictly functional concerns.
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It has been a wonderful five years. I'm excited about the many projects we're working on as we move into year six, and I want to thank everyone for tuning in. We couldn't do it without you!
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I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
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Every time I'm not on a project, I'm writing or in the studio or doing gigs DJing.
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What excites me is to know I don't have any limits, that it's quite an open project, more open than I thought it could be. To have this freedom to try very different things. I listen to lots of music from every genre.
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There are many projects I couldn't get off the ground because they didn't have white heroes. It's a problem that everyone who's been working in Hollywood has been facing.
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In any of the big acting cities, there are breakdowns that the casting directors put together for the projects that they're working on and then they get sent out to the agents and stuff like that. It's difficult to find projects, sometimes, unless your agent or manager is submitting you for those specific projects.
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Something that I really enjoy doing is creating and being a part of very different characters and very different projects.
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Winning the competition for Frankfurt's Museum of Applied Art in '79 opened the door to a number of projects in Europe, especially as we were invited to join many design competitions.
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By the time a writer comes onto a project (if they're being hired as a contractor) the main character has usually been designed, as that's always done during a project's pitching stage.
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Many people think that open source projects are sort of chaotic and and anarchistic. They think that developers randomly throw code at the code base and see what sticks.
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There's nothing more exciting than to have a project that you like, that you're proud of, and you're waiting for that validation for the world to see it and say, "Yeah! You know what? That was pretty damn funny!"
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We might say that both the artist and theneurotic bite off more than they can chew, but the artist spews it back out again and chews it over in an objectified way, as an external, active, work project.
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There are lots of good reasons to abandon a project. Having a little competition is not one of them.
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We must make this an insecure and inhospitable place for capitalists and their projects. We must reclaim the roads and plowed land, halt dam constructions, tear down existing dams, free shackled rivers and return to wilderness millions of acres of previously settled land.
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I have found there are real objects under in intelligent control being seen on the ground and in our skies worldwire. The unknowns have varied over the decades from 22 percent in my own civilian files, 30 percent in the University of Colorda Condon Committee scientific studies, to at least 40 percent recently revised found in the U.S. Air Force Project Blue Book military investigations. This is not acceptable, no matter who is doing the investigations.
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I work on OpenBSD fulltime, as the project leader. I set some directions, increase communication between the developers, and try to be involved in nearly every aspect of the base system.
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As a director, you've got to have quite a few projects going because you never know which one will actually come together with the financing and get the green light.
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You always have to appeal to your audience. You always have to consider how well your project will do in terms of admissions. I abandoned many stories because of that. But I don't get too down about it. It's something I accepted from the time I decided to work in films.
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They are damn good projects - excellent projects. That goes for all the projects up there. You know some people make fun of people who speak a foreign language, and dumb people criticize something they do not understand, and that is what is going on up there - God damn it!
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There are an infinite number of rewards you could bestow on yourself for working at your creative projects, and you deserve every one of them.
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Things go away and projects crumble and disappear, or you make your movie and it comes out and no one watches it.
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I think the general public's response to my projects is very strong. You can be an intellectual and say that popularity detracts from architectural quality. On the other hand, you can see in the public's identification something very positive.
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For me, the most gratifying projects are ones that have the potential to bring people together - to overcome differences among various groups, and to spark dialogue.
