Projects Quotes
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My days are kind of controlled by my projects, so sometimes they're album covers. Sometimes they're commission portrait shoots. Sometimes they are editorial, so it kind of - I don't dictate it.
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For me, the excitement in architecture revolves around the idea and the phenomenon of the experience of that idea. Residences offer almost immediate gratification. You can shape space, light, and materials to a degree that you sometimes can't in larger projects.
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Part of what's exciting to me about my career is the constant looking forward. Whenever I finish one project, I am looking to what's next.
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We had collaborated with Allen Ginsberg on one of his last projects just before he died in the spring of '97, a book called Illuminated Poems - it was Allen's poems and songs and I illustrated them. Or, I illuminated them with paintings and drawings that bounced off of them. You want the picture to relate to the text without it slavishly regurgitating it or merely illustrating it, because that's redundant. You want to show another angle of what the text is saying.
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In big companies projects have to scale and Lean Startup help us to do it.
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However depressed I may be I am not in the habit of giving up a project without having tried everything, even the 'impossible', to gain my end.
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I've been very fortunate as a composer to be involved with projects that have really propelled my scores forward. I'm very proud of it.
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I treat all my projects the same. They're all time capsules of where I am at the time and what I'm thinking about.
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All of the musical projects that I am involved with are near and dear to my heart and allow me in a small way to make a contribution to the world of music.
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Lacking many of the essential implements, it irritated me to be reduced to impotence in the face of artistic projects to which I had passionately given myself.
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I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
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In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects.
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I always wanted to create this community that would come and tell their own story, shoot it - and watch them. The idea is to not have one entity who creates the work, the project, and another entity who consumes it; the idea is people create their own work, like somebody cultivating his garden.
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I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
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There are thousands of ways to mess up or damage a software projects, and only a few ways to do them well
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I am basically working 7 days a week. When I am not eating, sleeping, or working out, I am working on one of projects which I am just damned determined to finish.
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To move Nigeria forward, we must define our interest in the Nigeria project
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People actually ask me why I bring in projects on budget and on time. It seems I am not living up to the fashionable genius role. I really enjoy when a project gets down to the wire, and through sheer force of will and faith in our process, we cross the goal line, when most people thought it impossible.
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It has been a wonderful five years. I'm excited about the many projects we're working on as we move into year six, and I want to thank everyone for tuning in. We couldn't do it without you!
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It is an impressive place that smells like the 1950s, when everyone wore starch white shirts and black slacks and perfect crewcuts and worked on massive industrial projects.
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As I progressed further with my project, it became obvious that it was really unimportant where I chose to photograph. The particular place simply provided an excuse to produce work... you can only see what you are ready to see - what mirrors your mind at that particular time.
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We think about project's public nature and how that can be enhanced, how the spaces we create can enliven the experience of being there.
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There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
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I have a level of fear going into every project, and that's what keeps me going.
