Projects Quotes
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My days are kind of controlled by my projects, so sometimes they're album covers. Sometimes they're commission portrait shoots. Sometimes they are editorial, so it kind of - I don't dictate it.
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Ultimately it's the public nature of those projects that I most enjoy. Museums are more than just places to view art, they're also civic and social centers.
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I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.
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However depressed I may be I am not in the habit of giving up a project without having tried everything, even the 'impossible', to gain my end.
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I treat all my projects the same. They're all time capsules of where I am at the time and what I'm thinking about.
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But people who think they can project themselves into deafness are mistaken because you can't. And I'm not talking about imagining what a deaf person's whole life is like I even mean just realizing what it is like for an instant.
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I project myself so deeply into the characters in novels that I'm not thinking about my own life.
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I hope I don't have to act in one of my own projects again.
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To be honest, producing records interests me less at the moment and I really don't want to get involved in album projects that are going to take up a lot of time.
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In terms of form, all the projects interest me equally, although there are obviously large differences according to the scale and process of each project.
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We had collaborated with Allen Ginsberg on one of his last projects just before he died in the spring of '97, a book called Illuminated Poems - it was Allen's poems and songs and I illustrated them. Or, I illuminated them with paintings and drawings that bounced off of them. You want the picture to relate to the text without it slavishly regurgitating it or merely illustrating it, because that's redundant. You want to show another angle of what the text is saying.
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There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
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It is an impressive place that smells like the 1950s, when everyone wore starch white shirts and black slacks and perfect crewcuts and worked on massive industrial projects.
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People actually ask me why I bring in projects on budget and on time. It seems I am not living up to the fashionable genius role. I really enjoy when a project gets down to the wire, and through sheer force of will and faith in our process, we cross the goal line, when most people thought it impossible.
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I'm always playing the nice guy in most of the projects that I do.
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As I progressed further with my project, it became obvious that it was really unimportant where I chose to photograph. The particular place simply provided an excuse to produce work... you can only see what you are ready to see - what mirrors your mind at that particular time.
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I like to surprise myself. I've always been attracted to projects where I don't know how they're going to turn out.
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From an acting perspective, I would say that you should always try to make your own stuff. Always be ambitious about your own projects and always know better than anyone else what you're good at.
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The more projects you do, the more actors you meet, the more people you meet, it's harder and harder to give your heart and your complete attention or absolute sincerity to that person.
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I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
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My faith is very personal. It's not something that I want to project on other people.
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I am a star because I have always felt so alienated and I project this feeling to others.
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Personally, I now aim for one month of overseas relocation or high-intensity learning (tango, fighting, whatever) for every two months of work projects.
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Nothing seemed to me more appropriate than to project an image of our time with absolute fidelity to nature by means of photography.
