Projects Quotes
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People actually ask me why I bring in projects on budget and on time. It seems I am not living up to the fashionable genius role. I really enjoy when a project gets down to the wire, and through sheer force of will and faith in our process, we cross the goal line, when most people thought it impossible.
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I hopefully try to find people and projects that my gut instinctively points me towards, and hope that there's some type of rhyme to them later.
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From an acting perspective, I would say that you should always try to make your own stuff. Always be ambitious about your own projects and always know better than anyone else what you're good at.
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Most of my projects seem to start as exploratory journeys with no visible end in sight.
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I've been in a lot of cult movies, but I've been very fortunate to have been involved in projects that people remember.
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I keep doing specials because I think there are a lot of people who make movies and TV who are fans of comedy - if they start to like you, they'll get a project going and call you in.
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We had collaborated with Allen Ginsberg on one of his last projects just before he died in the spring of '97, a book called Illuminated Poems - it was Allen's poems and songs and I illustrated them. Or, I illuminated them with paintings and drawings that bounced off of them. You want the picture to relate to the text without it slavishly regurgitating it or merely illustrating it, because that's redundant. You want to show another angle of what the text is saying.
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However depressed I may be I am not in the habit of giving up a project without having tried everything, even the 'impossible', to gain my end.
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I have a level of fear going into every project, and that's what keeps me going.
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What means the most to me changes through the years. There was a time when movies meant the most. But when I'm concentrating on a project, that's what means the most to me.
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I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
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As long as somebody is guaranteed a certain number of sales you know you're gonna keep seeing these vanity projects. I mean they have a place, they serve a function they can bring people into comics.
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Personally, I now aim for one month of overseas relocation or high-intensity learning (tango, fighting, whatever) for every two months of work projects.
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I am basically working 7 days a week. When I am not eating, sleeping, or working out, I am working on one of projects which I am just damned determined to finish.
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My faith is very personal. It's not something that I want to project on other people.
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But people who think they can project themselves into deafness are mistaken because you can't. And I'm not talking about imagining what a deaf person's whole life is like I even mean just realizing what it is like for an instant.
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When I did Nicholas Nickelby originally, that was a co-production between the new Channel 4, Polygram in Europe and Mobil Oil in America, and I have been involved in working on co-productions for years on both sides of the Atlantic and that's very much at the core of what Playground is doing. So marrying, finding projects that can be co-produced and can be produced using the very best talent from both sides of the Atlantic that's absolutely right at the center of what Playground is doing.
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We're really happy to have the Scouts doing projects, ... We generally supply all the material and they supply the labor. We ask them to build to our specifications. These are projects we wouldn't be able to do because of the lack of manpower. The Scouts can add amenities that finish things off nicely.
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I dont like talking about any projects till they solidify and take off.
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Lacking many of the essential implements, it irritated me to be reduced to impotence in the face of artistic projects to which I had passionately given myself.
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I am a star because I have always felt so alienated and I project this feeling to others.
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We think about project's public nature and how that can be enhanced, how the spaces we create can enliven the experience of being there.
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I have always believed that women are not victims, we are agents of change, we are drivers of projects.
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There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
