Projects Quotes
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Studio gives me the option to bring in bands and mixers that I really want to be in here so there’s lots of uses for this place. I don’t have to run it to make money so I can focus on working on projects that I really like.
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We had collaborated with Allen Ginsberg on one of his last projects just before he died in the spring of '97, a book called Illuminated Poems - it was Allen's poems and songs and I illustrated them. Or, I illuminated them with paintings and drawings that bounced off of them. You want the picture to relate to the text without it slavishly regurgitating it or merely illustrating it, because that's redundant. You want to show another angle of what the text is saying.
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From an acting perspective, I would say that you should always try to make your own stuff. Always be ambitious about your own projects and always know better than anyone else what you're good at.
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But people who think they can project themselves into deafness are mistaken because you can't. And I'm not talking about imagining what a deaf person's whole life is like I even mean just realizing what it is like for an instant.
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Pick a big enough project, something that's really hard, something that over the years you can work on.
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It is an impressive place that smells like the 1950s, when everyone wore starch white shirts and black slacks and perfect crewcuts and worked on massive industrial projects.
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I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.
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If I were to say that I grew up in East Los Angeles in the projects poor, I assumed that everybody understood that it came with its own reasons for being the way I am. I didn't get that people needed to understand where my comedy came from; I thought that they knew that. Now I tell people.
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The overall view of the human genome project has been one of great excitement and positive press, but there are people who have concerns that are quite reasonable, and they are frightened of things they don't understand.
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I like to surprise myself. I've always been attracted to projects where I don't know how they're going to turn out.
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People actually ask me why I bring in projects on budget and on time. It seems I am not living up to the fashionable genius role. I really enjoy when a project gets down to the wire, and through sheer force of will and faith in our process, we cross the goal line, when most people thought it impossible.
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I treat all my projects the same. They're all time capsules of where I am at the time and what I'm thinking about.
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I project myself so deeply into the characters in novels that I'm not thinking about my own life.
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To be honest, producing records interests me less at the moment and I really don't want to get involved in album projects that are going to take up a lot of time.
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As long as somebody is guaranteed a certain number of sales you know you're gonna keep seeing these vanity projects. I mean they have a place, they serve a function they can bring people into comics.
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I've been in a lot of cult movies, but I've been very fortunate to have been involved in projects that people remember.
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I may have had many projects, but I never was free to carry out any of them.
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Lacking many of the essential implements, it irritated me to be reduced to impotence in the face of artistic projects to which I had passionately given myself.
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There are thousands of ways to mess up or damage a software projects, and only a few ways to do them well
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I've been so blessed and so lucky to be a part of great shows like 'Chuck' and projects 'Daybreak.'
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There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
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I put so much pressure on myself to raise the bar with each and every project. I treat it like every film is my last, and I make sure I pour everything I have into every film I make because if I'm not trying to improve, someone else will.
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As I progressed further with my project, it became obvious that it was really unimportant where I chose to photograph. The particular place simply provided an excuse to produce work... you can only see what you are ready to see - what mirrors your mind at that particular time.
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In terms of form, all the projects interest me equally, although there are obviously large differences according to the scale and process of each project.
