Projects Quotes
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Doing real world projects is, I think, the best way to learn and also to engage the world and find out what the world is all about.
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Yes. I would like to see Alaska's infrastructure projects built sooner rather than later. The window is now while our congressional delegation is in a strong position to assist.
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Money is a tool – it’s the means, not the end. Inspiration is the metric that dictates whether or not a project is a success. It’s more realistic than trying to aim for radio play, or trying to satisfy an AR, or the other gatekeepers on these platforms. I don’t even know how to create with those things in mind. But if you tell me the goal is to inspire? That makes my job a lot easier.
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I typically don't get into predicting the success of my projects. I've been involved with a lot of projects that I thought should have really gained notoriety and furthered my career, only to be met with the cold grasp of disappointment. So I typically stay away from predicting how a film will do.
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All of the musical projects that I am involved with are near and dear to my heart and allow me in a small way to make a contribution to the world of music.
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Ultimately it's the public nature of those projects that I most enjoy. Museums are more than just places to view art, they're also civic and social centers.
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In my career, I thought I've never wanted to get anywhere in particular. I just wanted to work with interesting people on interesting projects.
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To move Nigeria forward, we must define our interest in the Nigeria project
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Pick a big enough project, something that's really hard, something that over the years you can work on.
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I hopefully try to find people and projects that my gut instinctively points me towards, and hope that there's some type of rhyme to them later.
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I'm not big on to-do lists. Instead, I use e-mail and desktop folders and my online calendar. So when I walk up to my desk, I can focus on the e-mails I've flagged and check the folders that are monitoring particular projects and particular blogs.
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I try to be a man of mystery. I try to keep the various projects I'm up to as close to the vest as possible until it's time to reveal them.
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When I was a boy, that was all I wanted—to grow a pair of wings and get up into the sky. I had a basement full of failed wing projects. Boards and capes and motors, even a pile of found feathers I once tried to glue together with a bottle of Elmer’s; you should have seen your grandmother’s face. But I never got any higher than the backyard fence I’d launch from. I never got inside a cloud. Your raven did.
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With certain projects, there are delays, and with others, things come together very quickly. It can be frustrating but it's not uncommon, and you just have to keep a lot of things juggling and hoping all of these projects will go when all the pieces fall into place. You just have to be ready for whatever catches fire.
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I have many projects in various states of development. Some are on paper and some are in my head. But as I go on, I feel the need to be guided in my choices.
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As an organisation Not for Sale we use social media on a daily basis as a way to share the impact of how our support is having on individuals and communities. By building awareness, education and updating interested parties on the progress of the projects.
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I would never sign on to a project that was male-bashing, because first and foremost I'm a man... what guy would sign on for that?
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To be honest, producing records interests me less at the moment and I really don't want to get involved in album projects that are going to take up a lot of time.
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Always take yourself seriously... it's not the same as being pompous, or overly self-assured, but it is important to understand that the small little ideas that creep up in your mind, often contain the germ of a much larger project. All great art wasn't born as great art. It first needed to be recognized by the artist him/herself. Through his or her belief in it, it became true.
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In terms of form, all the projects interest me equally, although there are obviously large differences according to the scale and process of each project.
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It is an impressive place that smells like the 1950s, when everyone wore starch white shirts and black slacks and perfect crewcuts and worked on massive industrial projects.
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Studio gives me the option to bring in bands and mixers that I really want to be in here so there’s lots of uses for this place. I don’t have to run it to make money so I can focus on working on projects that I really like.
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People actually ask me why I bring in projects on budget and on time. It seems I am not living up to the fashionable genius role. I really enjoy when a project gets down to the wire, and through sheer force of will and faith in our process, we cross the goal line, when most people thought it impossible.
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My days are kind of controlled by my projects, so sometimes they're album covers. Sometimes they're commission portrait shoots. Sometimes they are editorial, so it kind of - I don't dictate it.
