Projects Quotes
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I may have had many projects, but I never was free to carry out any of them.
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I've been in a lot of cult movies, but I've been very fortunate to have been involved in projects that people remember.
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I dont like talking about any projects till they solidify and take off.
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To be honest, producing records interests me less at the moment and I really don't want to get involved in album projects that are going to take up a lot of time.
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From an acting perspective, I would say that you should always try to make your own stuff. Always be ambitious about your own projects and always know better than anyone else what you're good at.
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As I progressed further with my project, it became obvious that it was really unimportant where I chose to photograph. The particular place simply provided an excuse to produce work... you can only see what you are ready to see - what mirrors your mind at that particular time.
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Pick a big enough project, something that's really hard, something that over the years you can work on.
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There's a reason why every successful person in Hollywood has like seven or eight projects up in the air at any point. It's like a 90 percent chance for each project that it'll never happen. Every project has about a 10 percent chance of getting made, unless you're like a Quentin Tarantino or somebody who just gets whatever they want to get done. But those are the rare cases.
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I like to surprise myself. I've always been attracted to projects where I don't know how they're going to turn out.
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I project myself so deeply into the characters in novels that I'm not thinking about my own life.
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Every band that I've known that has done side projects or things like that - I don't respect them anymore.
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Things go away and projects crumble and disappear, or you make your movie and it comes out and no one watches it.
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In terms of form, all the projects interest me equally, although there are obviously large differences according to the scale and process of each project.
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I have a level of fear going into every project, and that's what keeps me going.
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Personally, I now aim for one month of overseas relocation or high-intensity learning (tango, fighting, whatever) for every two months of work projects.
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I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
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I'm selfish when it comes to work. I'm like, "Oh, that will be fun! I wanna do that!" I never think beyond my participation in a project.
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Studio gives me the option to bring in bands and mixers that I really want to be in here so there’s lots of uses for this place. I don’t have to run it to make money so I can focus on working on projects that I really like.
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It is still important that every project I do I do something real, that feels true to me.
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What excites me is to know I don't have any limits, that it's quite an open project, more open than I thought it could be. To have this freedom to try very different things. I listen to lots of music from every genre.
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What's cool is when people send me messages or tag me in their photos, which definitely happens more after a project comes out. The best part, I think, is that the DMs and tags are always from young girls, and reaching them is the most important thing for me.
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I have always believed that women are not victims, we are agents of change, we are drivers of projects.
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I'm always playing the nice guy in most of the projects that I do.
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I can see myself doing production work and handling projects behind the scenes.
