Ensemble Quotes
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Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
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Well, it's more of a sane life to be part of an ensemble! I find that the work can be more specific too and I have to really make sure I know where I am in the story because I'm not in every scene.
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The 'DuckTales' ensemble is clearly critical. There's the core set of characters - Scrooge, Webby, Launchpad, Huey, Dewey and Louie... Plus there's Gyro and Duckworth and Mrs. Beakley and so on. The cast is huge.
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I've been lucky enough to be part of some great ensembles in theater - I'd been doing theater since college.
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My happiest times in the theater are when I do ensemble pieces. I really got into theater because of that closeness.
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Well that's what Andy wore to bed. You know, the oxford button-down Brooks Brothers shirt that he's been wearing all day and his big long socks. He'd just take off his jeans and his boots and go to bed. Then he'd change into a fresh ensemble after he had breakfast the next morning.
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When an ensemble is really tight or playing as one, it's a transcendental experience. It is spiritual. It goes beyond the ensemble. Ray and I and Robby and Jim were pretty tight, musically and spiritually.
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1600 Penn is an ensemble comedy about a family. It just happens to utilize the fact that my character is now being forced into this world as a jumping off point. But, in no way is it the crux of the series. It's simply an introduction to the world.
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If an ensemble - I don't care if it's a duet or a forty-piece orchestra - the musicians, the two of them or the forty of them, are all trying to play as tight as possible, as one person. They're trying to play like they are one person.
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If you're playing live, I like to think of the ensemble, whether it's the duet or a forty piece orchestra, as one person. And the entire audience, whether it's twelve people or twelve thousand at Madison Square Garden, is the other person. The two of you are going to dance together tonight.
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I'm always having to check myself and make sure I'm not over singing in some ensemble thing that will render me unavailable for participation in the stuff where it really counts.
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A lot of times, working in stand up, you're by yourself, and so you just have to rely on yourself only... but I like working in an ensemble.
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When I'm on a red carpet I want somebody to feel something when they look at what I'm wearing, when they look at the entire ensemble, whether it be nostalgia or excitement, you know?
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All the others arts are lonely. We paint alone - my picture, my interpretation of the sky. My poem, my novel. But in music - ensemble music, not soloism - we share. No altruism this, for we receive tenfold what we give.
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I knew from experience at the Negro Ensemble Company that it wasn't until there was a place controlled by black artists... that Pulitzer Prize-winning work like 'Ceremonies in Dark Old Men' and 'A Soldier's Play' came to fruition.
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It's kind of like, I love doing tons of different things. The only thing I hate is not being in ensembles.
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It's such a joy to work with different ensembles and create a collaboration. Rehearsing and building a performance is very interesting for me.
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We all know from growing up with TV that John Wells shows are usually very large ensembles with amazingly written characters. He tends to redefine the way stories are told in a specific genre, whether it's 'China Beach,' 'The West Wing,' or 'E.R.
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My job apart from anything else is to build an ensemble composed of actors who all come from a secure place so that they can all work together to make the film.
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We don't really worry about being called a religious ensemble.
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I prefer live musicians whenever possible. And I tailor the ensemble to what is appropriate for the film and the score I'm writing.
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You are not alone in the world. You are part of an ensemble.
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The talent of historians lies in their creating a true ensemble out of facts which are but half true.
