Author Quotes
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Like the philosopher, the author views his task as one of establishing a clear connection between life and history, and of making the past bear fruit for the present and future.
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I was a latecomer to romance, although I did read gothics. My father used to work for the 'Fort Worth Star-Telegram,' and their book reviewer, author Leonard Sanders, would pass on the gothics for my dad to give to me since Leonard didn't review gothics. I gobbled up books by Mary Stewart, Madeleine Brent, Victoria Holt and Phyllis Whitney.
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Written language must be considered as a particular psychic reality. The book is permanent; it is an object in your field of vision. It speaks to you with a monotonous authority which even its author would not have. You are fairly obliged to read what is written.
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Basically, I always wanted to be an author but went through all these other jobs while getting up the nerve to finally go for it with my writing! Thank goodness it worked; who knows what I might have done next?
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A number of people have read 'Two-Way Split' and made certain assumptions about what the author's like, and I'm highly disappointing to them. I don't drink, I don't eat meat; that's very disappointing for a hard-boiled writer.
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My go-to author for knowing it all is Evelyn Waugh. 'A Handful of Dust' is as perfect as a book can get.
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I hold that gentleman to be the best dressed whose dress no one observes. I am not sure but that the same may be said of an author's written language.
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An author departs, he does not die.
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I am an author-illustrator of children's books - and yet - I must confess I don't do the books for the kids. When I'm working on a book I'm somewhere else - at the circus - or a rustic old farm - or deep in a forest - with no thought of who might read the book or what age group it would appeal to. I write them so I can illustrate them.
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Of course, my mom is my biggest and loudest cheerleader, and my family and friends are happy for me, but I'm still just Angie, not Angie-the-author-with-this-hyped-up-book. I appreciate that.
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I think authors like me are always struggling with the idea that they should have a brand and a Facebook author page and they should get Twitter accounts. I don't know what to do with them.
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For a memoir to really succeed, the author has to do such hard work before they come to the page. They have to do a brutal self-examination of everything they believe to be true.
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An author who gives a manager or publisher any rights in his work except those immediately and specifically required for its publication or performance is for business purposes an imbecile.
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Author: A fool who, not content with having bored those who have lived with him, insists on tormenting generations to come.
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When an author creates a town in her novels, she spends a great deal of time visualizing the streets and buildings, landmarks and topography. And while the town becomes real in her imagination, it's rare for an author to see the place she's created actually spring to life.
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I think it is worse [in 2015] for a mid-list author such as myself. You either have to sell like Stephen King or go with the small presses where there is no money. I was lucky to have been in the right place and time for many years.
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Life is the most versatile thing under the sun; and in the pursuit of life and character the author who works in a groove works in blinkers.
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When I sold my first middle-grade novel in 2005, it wasn't that common to put an author photo on the back flap, but 24-year-old Korean-American me insisted. I wanted Asian girls to see my face. And more than that, I wanted them to see what is possible.
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my father's rejection of all that is called religious belief, was not, as many might suppose, primarily a matter of logic and evidence: the grounds of it were moral, still more than intellectual. He found it impossible to believe that a world so full of evil was the work of an Author combining infinite power with perfect goodness and righteousness.
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It can certainly happen that characters in more sophisticated stories can 'take over' as they develop and change the author's original ideas. Well, it certainly happens to me at times.
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I believe that books, once they are written, have no need of their authors. If they have something to say, they will sooner or later find readers; if not, they won’t. There are plenty of examples. I very much love those mysterious volumes, both ancient and modern, that have no definite author but have had and continue to have an intense life of their own. They seem to me a sort of nighttime miracle, like the gifts of the Befana, which I waited for as a child. I went to bed in great excitement and in the morning I woke up and the gifts were there, but no one had seen the Befana. True miracles are the ones whose makers will never be known; they are the very small miracles of the secret spirits of the home or the great miracles that leave us truly astonished. I still have this childish wish for marvels, large or small, I still believe in them.
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I consider a work of art as a product of calculations, calculations that are frequently unknown to the author himself.
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Psmith is the only thing in my literary career which was handed to me on a plate with watercress round it, thus enabling me to avoid the blood, sweat and tears inseparable from an author's life.
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This to me is the secret comedy of all author interviews, down through the ages, even the good ones in the 'Paris Review' and places. They're all acting. It's like watching a person in a play.
