Author Quotes
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Life is the most versatile thing under the sun; and in the pursuit of life and character the author who works in a groove works in blinkers.
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The prime goal of an author is the same as a musician, which is to emotionally connect with the reader in some way or another.
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I think authors like me are always struggling with the idea that they should have a brand and a Facebook author page and they should get Twitter accounts. I don't know what to do with them.
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I am an author-illustrator of children's books - and yet - I must confess I don't do the books for the kids. When I'm working on a book I'm somewhere else - at the circus - or a rustic old farm - or deep in a forest - with no thought of who might read the book or what age group it would appeal to. I write them so I can illustrate them.
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When an author creates a town in her novels, she spends a great deal of time visualizing the streets and buildings, landmarks and topography. And while the town becomes real in her imagination, it's rare for an author to see the place she's created actually spring to life.
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Psmith is the only thing in my literary career which was handed to me on a plate with watercress round it, thus enabling me to avoid the blood, sweat and tears inseparable from an author's life.
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When you're an author, you're always two people. Jasper the writer is different from Jasper the person at home.
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I always wanted to be a children's author, and I have a really big library of children's books. All the ones from when I was little, they are just so beautiful. I read kids' books, and they calm me down.
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A lot of manuscripts that come in, you wonder by what outrageous fantasy the author believes that this should be pressed into print.
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The bottom line is that this author, a practicing neurologist dealing with Alzheimer's disease on a daily basis, believes we need to expand the public awareness that modifiable lifestyle factors have a profound role to play in determining who will or won't get this disease.
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It can certainly happen that characters in more sophisticated stories can 'take over' as they develop and change the author's original ideas. Well, it certainly happens to me at times.
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Stories where the author has known very little, but run a computer program that tells him how to construct a planet, and looked up specific things about rocketry and so on, really suck.
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I've dealt with depression my entire life, on and off, which makes me the perfect author for teenage readers.
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Why couldn't the world that concerns us- be a fiction? And if somebody asked, 'but to be a fiction there surely belongs an author?'- couldn't one answer simply: 'Why? Doesn't this "belongs" perhaps belong to the fiction, too?'
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Sometimes the reader will decide something else than the author's intent; this is certainly true of attempts to empirically decipher reality.
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Every author believes that the book which he is placing before the public will 'fill a long-felt want,' and success or failure depends very much on how closely he has been able to gauge the nature of the 'long-felt want.'
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This to me is the secret comedy of all author interviews, down through the ages, even the good ones in the 'Paris Review' and places. They're all acting. It's like watching a person in a play.
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The so-called paradoxes of an author, to which a reader takes exception, often exist not in the author's book at all, but rather in the reader's head.
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I don't think the author should make the reader do that much work to remember who somebody is.
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Many of the characters who appear in the pages of the Fourth Gospel are literary creations of its author and were never intended to be understood as real people, who actually lived in history.
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The one thing I've always done as an author is talk to my publicists. Because they have all the best stories - and they have all the dirt on other, more famous and important writers. They're not supposed to talk about it, but sometimes you can get awesome little tidbits from them.
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I've been very lucky with prizes. But the thing about prizes is that, when you talk about a prize-winning author, you can be talking about one that is well-regarded but doesn't sell any books.
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An author who gives a manager or publisher any rights in his work except those immediately and specifically required for its publication or performance is for business purposes an imbecile.
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At his heart, Shakespeare was a YA author. So many of his plays are set with high school-aged characters. He understood the passion, the confusion and drama that marks that life stage.