Author Quotes
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Such expression is impossible in a cramped atmosphere. As I have no desire to offer civil disobedience I cannot write freely. As the author of satyagraha I cannot, consistently with my profession, suppress the vital part of myself for the sake of being able to write on permissible subjects. ... It would be like dealing with the trunk without the head.
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I cordially dislike allegory in all its manifestations, and always have done so since I grew old and wary enough to detect its presence. I much prefer history – true or feigned– with its varied applicability to the thought and experience of readers. I think that many confuse applicability with allegory, but the one resides in the freedom of the reader, and the other in the purposed domination of the author.
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Can an author with reason complain that he is cramped and shackled if he is not at liberty to publish blasphemy, bawdry, or sedition?; all of which are equally prohibited in the freest governments, if they are wise and well-regulated ones.
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I couldn't really experience being an author when I was still working in publishing - I was trying to negotiate being both. Sometimes the knowledge doesn't translate between the two roles.
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As an author, you need to keep talking to your audience to remind yourself what they like and what they don't like. You spend most of your life locked in a room, and you need to be social occasionally.
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A number of people have read 'Two-Way Split' and made certain assumptions about what the author's like, and I'm highly disappointing to them. I don't drink, I don't eat meat; that's very disappointing for a hard-boiled writer.
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I'm most impressed by the Russian writers, so I love reading the works of Tolstoy and Dostoyevsky. Another author who has informed the way I think is the French philosopher, Blaise Pascal.
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No author can create a character out of nothing. He must have a model to give him a starting point; but then his imagination goes to work, he builds him up, adding a trait here, a trait there, which his model did not possess.
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With the marketing pressures driving the book world today, it's much easier to get the author of a memoir on a television show than a serious novelist.
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There is no way that the Fourth Gospel was written by John Zebedee or by any of the disciples of Jesus. The author of this book is not a single individual, but is at least three different writers/editors, who did their layered work over a period of 25 to 30 years.
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Tokyo Heist is a fast-paced, exotic reading adventure, a story where The da Vinci Code meets the wildly popular manga genre! Author Diana Renn infuses protagonist Violet with plenty of chikara (power) and Renn's fresh, spot-on author's voice is irresistible. I couldn't put it down!
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But why,... if you have a serious comment to make on the real life of men, must you do it by talking about a phantasmagoric never-never land of your own? Because, I take it, one of the main things the author wants to say is that the real life of men is of that mythical and heroic quality.
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When a French book becomes an international hit it is because of the author and not because of the language. The same goes for movies.
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I have never met an author who did not read voraciously as a child.
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I'm a strange kind of author - I like assignments. I wasn't clever enough to invent an iconic figure like Salander, but she's my kind of girl.
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The only moral that is of any value is that which arises inevitably from the whole cast of the author's mind.
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The language fictional characters use is chosen for effect, at least if the author is concentrating.
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I'm ashamed to admit this, but I didn't read a novel all the way through until after high school. Blasphemy, I know. I'm an author now. Books and words are my world.
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I always write authors after I read their books. I've been doing it for years. I write a formal letter and send it to them in care of their agent. My mother always taught us to write thank you notes, and if an author puts themselves out there, they like to hear that their book connected with someone.
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William Trevor is an author I admire; his stories are subtle and powerful, and beautifully written.
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Sometimes the reader will decide something else than the author's intent; this is certainly true of attempts to empirically decipher reality.
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My first novel, 'The Lions of Lucerne,' just poured out of me. It was an amazing feeling of accomplishment. My biggest fear and therefore my biggest obstacle to becoming an author had been, 'What if I spend all that time and the book is no good?'
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I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
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When we read, we are doing more than delectating words on a page stories, characters, images, notions. We are communing with the mind of the author.
