Something Quotes
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For me, animation is the caricature of life. It's something that we create, from the ground up.
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Having adaptive events televised in the X Games is huge. There are people out there who might want to do this but don't think they can. They can see us out here tearing it up. That's going to help people realize that if you want something bad enough, you can get there.
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In fiction, you learn about pacing and how to build tension - which is something you want in a really good nonfiction feature article as well.
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I have something to say. I know how to do something. I’m doing it. If you want me to do it with you, raise your hand.
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I'm not into negative energy. I don't give a shit who did what wrong. It's not my fucking problem. And if I do something wrong, I'll answer to what I do wrong.
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I don't mind at all being approached when I'm 10 or more feet away from the car. If I'm anywhere away from the car, I'm fine. That's completely expected. But when I'm next to the car or within 10 feet of it, I'm thinking about that or working in that direction. And that's just something I'd rather be able to work on than be interrupted, really, by anybody.
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I'm still learning. It's all a learning curve. Every time you sit down, with any given episode of any given show, it is a learning curve. You're learning something new about how to tell a story. But then, I've felt that way about everything I've ever done - television, features or whatever. Directing or writing, it always feels like the first day of school to me.
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Art is doing something you really believe in.
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You can't quite believe what you are hearing - and it's not necessarily something that you can listen to all the time because it's too intense - but it changes the way you go about making music.
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When I've worked with established artists, I've naturally been more restricted, but you still have to take risks and push yourself to do something different.
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I'm still in the Midwest, but I'm in Columbus, Ohio, so I'm three and a half hours away from everybody. That's one of the reasons we're not as active as we'd like to be - it's an expensive chore for me to go down there just to talk or something.
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When I direct - everything I've directed has had improv in it, because I think there's something special in a performance the first time it's said out loud that's hard to recreate.
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If people can't relate to something, there's no use of the song being there.
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I want to do something that is not political. I want to do some fundraising, just as a volunteer.
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The best time to do something is when it can be done.
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I'm never really that worried about doing something a little different, 'cause it always just seems to fit into what I want to do.
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Whenever you have something nice someone will try to ruin it.
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Follow-up is personal. It must be done by someONE; not by someTHING. For it to be effective we must set the pace. We can't permanently sell something we don't make time to get into our lives.
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I really believe you have to make television with the belief that you're going to continue on. If you hedge bets and you catch yourself being measured, I usually find that's a bad sign. Maybe you know something that you don't want to know.
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I firmly believe that if you're really unhappy with something, then you should go ahead and change it.
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I know when I go to a movie I want to experience something, whether to laugh, to cry, to feel bad.
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You have to destroy something to make it beautiful.
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In my case, I take part in performance-oriented music and believe it is my call to show the audience something that both their eyes and ears can enjoy.
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The comparison to the old world is something to get excited about. We have the potential for more choice and innovation, and a different regulatory environment that doesn't place as much weight on economic regulations of terms and conditions.
