Something Quotes
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I think, traditionally, power is perceived as something that belongs to men and is an excuse to behave in a disempowered way.
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Not to be onto something is to be in despair.
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It's always fun to try something new. People think every avenue has been explored on TV, but this has never been done. That, in itself, really excites me.
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Sometimes people will request a song I haven't played in a while and I'll play it and singing the lyrics will mean something different to me as a 35 year-old person than they did when I was 25. I know I'm still that person who wrote it and thought I knew what I meant when I was writing them. They meant something very exact to me in that time of my life. But it's really cool when those same lyrics can transform into something else and mean something entirely different to me.
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We're always looking for something.
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Those people have seen 'something'. What it is I do not know and I can not care to know.
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When God says something, the argument is over.
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If children are given some real content, they can feel powerful with their own understanding of it. I think a movie like 'Indian in the Cupboard' will instruct them how to proceed as people. They can think about whether they would have done something the way a character did, how they would have felt about an event in the story.
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Being critical is not something I like to do. I like to appreciate and inspire.
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The fact that I'm on CNN today is something I never would have guessed as a 13-year-old - or any other age, for that matter.
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Let me just get something down. I’m coming for your frown. I got something that’ll make you feel better. Ooh, I got this feeling that we’ll do it again and again and again and again.
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Ive never taken a vacation. Ive never been to Europe. Every time I planned to do something big, I got a job, and I could never pass that up.
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If I do something for a public space, it's not something that I have in my head and go, "Oh that's a good location. I should put it here." That for me never exists. When I see the site, then I have an idea that is new and I would never do unless it's there. It's the space or the people there, which will give me the idea.
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National identity is something that's directly connected to our personal experiences and the decisions we make, the roads we decide to take at certain points in our life.
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Follow-up is personal. It must be done by someONE; not by someTHING. For it to be effective we must set the pace. We can't permanently sell something we don't make time to get into our lives.
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There's real peril in trying to repeat yourself, and apply rules that applied to something else to a new project.
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Go out and do something for somebody. Go out and give something to somebody. It will take you away from yourself and make you happy.
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I'd sing and shake my leg a bit, and it looked like I was doing something.
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The goal is to really blur the line. Can you perform a magic trick in a way that someone doesn't think it's a magic trick but is something amazing they haven't seen before? Then they have to wrestle with reality.
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One thing I've learned is that when you shoot something in the U.K., there's always going to be somebody called Trevor on your set. And maybe a Nigel. Occasionally a Colin.
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There is no straight road to finding yourself, to making something.
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'On the Twentieth Century' was always something I wanted to do because of Kristin Chenoweth.
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Everybody got their something.
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Sometimes something you thought wouldn't really be as big as it was blows up into something else.