Drama Quotes
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It is quite surreal having a film made about your life. The whole process of turning real life into drama is interesting in itself, but even more so when it is your own life being put into the narrative forge.
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All of the action, and the Wild West West fun, crazy, HBO stuff is in there and it's all amazing, but what separates the show Westworld is that it's an existential drama. It's an intellectual nightmare. It is all very much based in reality. A lot of the technologies that we're exploring is stuff that we're working at, right now. All of this is not that far away. It's taking a look at humanity and the state that we're in now and what would happen, if we kept on going the way that we're going and we created this artificial intelligence.
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I always try to create conflict and drama in my books; it's the engine of the novel.
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I think that there's a fine line between comedy and drama.
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Each painting is linked to a fundamental drama.
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Happiness, sadness, being mean and being nice. They're all very close to one another. My goal in my career is to do movies that are both... I hate when people say is it a comedy or a drama? My favorite movies are kind of both. Just like life, one day you're not crying all day, one day you're not laughing all day. I like to play characters that have that kind of balance, too.
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I'd learned how to lie and manipulate from an early age so a combination of that, desperation, having to have my own fridge and my umbilical cord back... I had to go out into the world. Then some angel somewhere said: "Have you considered going to drama school?" And this sounded like the solution to all of my problems.
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All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
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Only in drama does it end with the tragedy; in life it grinds on. Moanday, tearsday, happy days, right through to Shatterdays. And Again.
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A lot of the distinctions that we make between drama and documentary are spurious. We're deeply confused about these issues. About the difference between the two, about where documentary ends and drama begins.
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Difficulty is inevitable. Drama is a choice.
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I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
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My mom pushed me to take drama class.
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I love playing different characters and I love doing fun things and I love to entertain people, whether that be in a comedy or a drama. If I get you to laugh or I get you to cry I'm super stoked, as morbid as that might sound.
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By obtaining a sense of its place in the unfolding drama of life, set in an ecological theatre, so we can understand why it has become one of the leading players.
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I'm a bit of a fraud, really, as I didn't study acting at a drama school.
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I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.
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We have to understand (this is another key piece) that there are some individuals who still need that drama, that experience of violence.
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The experience of reading a novel and watching a television show are quite different. You can't let your audience get ahead of you, and you have to keep the energy and the pace and the drama up. They're very different things.
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Drama if I sing, drama if I dont sing. What do you do?
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When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.
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Police thrillers are so widely read and police dramas so commonplace on television that many people think they have a good understanding of what a cop's world is like. But in truth that world is seldom revealed with anything approaching verisimilitude. We get it with The Wagon.
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A little drama wins more friends than boring.
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My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
