Drama Quotes
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There is pathos and drama in 'Half Girlfriend.'
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Beethoven had a great look. It was very much about the drama of appearance.
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Comedy is hard to do, and I don't know why it doesn't have its own category in awards. I don't understand why people think it's harder to do drama than it is to do comedy. It doesn't get respect. It's hard. It's really hard. It would be more gratifying to get something for a comedy, because it doesn't happen much or at all.
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I did a lot of acting at school and university, then I went to drama school. It was quite a normal route.
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I think that no matter how much you don't like yourself or the drama of your life you can still find some comedy in it.
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The symbolic personage who focuses upon himself a social drama and the martyr may well be born during these days preceding the new moon. They are the incorporation of the need of their collectivity for a new birth of spirit. They call down the creative spirit; they summon forth the future-even if it be through their own death
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We watch movies about all sorts of things that we don't know anything about, but we do get caught up in the human drama.
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I always try to create conflict and drama in my books; it's the engine of the novel.
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UNICEF is doing amazing things here. They're helping these groups of kids to be mine aware, and using drama and workshops to teach children in all of the schools in the area to be aware of mines and what to do if they find one, and if somebody's hurt, not to rush in - all of the essential things that kids need to know.
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Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track.
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Drama if I sing, drama if I dont sing. What do you do?
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I want to stretch myself. Another reason why I'm so fortunate is that this is a drama and I've been brought up in comedy.
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Conflict is drama, and how people deal with conflict shows you the kind of people they are.
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The experience of reading a novel and watching a television show are quite different. You can't let your audience get ahead of you, and you have to keep the energy and the pace and the drama up. They're very different things.
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Everyone has this universal understanding of roommate drama.
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I don't believe in making movies to cater to a foreign audience. You never know what the reaction is going to be anyhow. At the time I made Maborosi, the Japanese movies getting any foreign attention were all period dramas and seemed to be about some representative element of Japanese life, and my movie was contemporary movie about one specific woman trying to understand her husband's suicide.
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I wanted to do 'Manzanar' because I'd never done anything like it before. The spoken word there is between a drama and an essay, and I'd never worked in concert with an orchestra.
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I think there is a long exploration in American drama of women in particular who, by force of circumstances or because they are predisposed to, choose fantasy over reality.
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It has nothing to do with the emotional demands of a role; I've done comedies that are as draining to me as any drama.
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All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.
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USC Film School always had a real sense of drama and lineage.
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I started performing in high school. There was a pretty great drama department at my school, and that's when I started doing plays and musicals.
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Paintings may not have nearly the power to convert people that the printed or spoken word has, but each man has his part to play in the human and divine drama - some persons just a few lines, others whole pages. To refuse to play one's role at all is not the answer. It is better to light one candle than to curse the darkness.
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I have an Honors Degree in Drama from the University of Alberta, but when it was done I knew a life in modern theatre was not for me. While figuring out what the hell I might do instead of theatre, I spent a couple of days on a horror film doing stunt work. I'd never been behind the camera before, and I loved everything about it. I joined the local film co-op - The Film and Video Arts Society of Alberta - because you could trade skills for experience. These indie filmmakers were making their own stuff their own way, all the time. Instant education.