Drama Quotes
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I've been doing a lot of drama, but I feel like comedy is my strength.
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Supporting drama for young people is close to my heart.
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The difference that a drama group or a cinema club can make to a small village or a town. It opens people up to ideas, potential about themselves that really, in a way, education often fails to. It's a way of drawing a community together.
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The most difficult thing to do is drama.
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'Confederate,' in all of our minds, will be an alternative-history show. It's a science-fiction show. One of the strengths of science fiction is that it can show us how this history is still with us in a way no strictly realistic drama ever could, whether it were a historical drama or a contemporary drama.
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I feel like if I consider myself comfortable in something, then that's not exactly where I want to be. And in 'Jane the Virgin' specifically, I feel like I don't have to choose... We get to do drama and comedy sometimes within the same thirty seconds.
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This life is not man's own show; if he becomes personally and emotionally involved in the very complicated cosmic drama, he reaps inevitable suffering for having distorted the divine 'plot.'
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At 17 years old, STG took me under its wing and shared its resources and wisdom with me, even allowing me to take part in a show at the Edinburgh Festival. Without STG and the Ramshorn Theatre, I would not have found access to the world of drama that I later made my profession.
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I studied drama.
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A pretext-not a cause-is sufficient for us to enter the "solitary situation", the situation of the dreaming solitude. In this solitude, memories arrange themselves in tableaux. Decor takes precedence over drama. Sad memories take on at least the peace of melancholy.
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If I could remake any Eighties project, it would be less an action flick than a character-driven drama with a rich story to tell.
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Just as it's unfair to review a taco stand for not being a four-star restaurant, I also have to be mindful that not every drama on TV is trying to be "The Wire."
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When I was at drama school I wanted to do classical theatre. It just so happened that I did a film when I came out and I moved that way.
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I'd love to do a drama.
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The Christian faith is the most exciting drama that ever staggered the imagination of man - and the dogma is the drama.
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I always found that drama, really good drama, has a lot of comedy in it.
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Directing plays lacked the immediacy and connection to real world events that journalism offered; journalism lacked the drama, theatricality and subjective storytelling of theater. It wasn't until I had the idea of making a documentary film about the 1992 presidential campaign that these two passions came together in 'The War Room.'
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I was a youngster looking up to dudes like Vicky McClure, Joe Dempsie and Michael Socha - in fact, he was a big influence on how I was able to detach drama from the all-singing, all-dancing stigma.
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I was frequently told at drama school that I was thinking too much. And I still have to suppress that part of me because it can sometimes be a hindrance.
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I find it hard to act unprofessionally because I can't do drama at school, it's hard for me to do drama out of school, I don't have time any more. I dance as well. I don't have time to work and dance and still have a good social life. I miss that security but I'm hoping that this is a good time for me. I'm trying to do as much as possible to get myself out there and hopefully it will work out.
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I learned more doing 'Breakfast at Tiffany's' than I did during three years at drama school.
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I think plays have nothing to do with one's own personal life. Not in my experience, anyway. The stuff of drama has to do, not with your subject matter, anyway, but with how you treat it. Drama includes pain, loss, regret - that's what drama is about!
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I danced from the age of three, so I was always going to do something performance-related. I got into the Television Workshop drama group in Nottingham when I was 11 and went there for ten years.
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In drama school, I entered a singing competition, which I ended up winning, which was great.
