Style Quotes
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I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
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One tires of a page of which every sentence sparkles with points, of a sentimentalist who is always pumping the tears from his eyes or your own.
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I'm glad we got that one out of the way. I was greatly concerned about Dartmouth. This kind of game is uncomfortable as a rule, because of the style of play. Fortunately we're going to go on and see another style of play.
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Think about what you like and then think about why - was it the shape? The hem length? And then repeat over and over until you find your signature style. And if you ever get sick of your signature style... change it! That's the beauty of fashion.
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I try to absorb all types of style and design. I don't try and restrict my thinking. I enjoy the old and the new. You need that broad perspective to create something different.
Chad Hurley -
For me, it's Rihanna and Kim Kardashian who I always keep up with. They both have incredible style.
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I think I had a really hard-working and authentic wrestling style, so people liked the way I was - that I was a 'no-quit' kind of wrestler - and I was very realistic and credible in my style.
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Reinvent new combinations of what you already own. Improvise. Become more creative. Not because you have to, but because you want to. Evolution is the secret for the next step.
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I actually like the sort of industrial, working-class woman like Rosie the Riveter, so I'm kind of like the sort of street style of the '50s.
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I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.
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We lived in a housing project graced by the architectural style of Early Chicken Coop.
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I don't really see huge barriers between any styles of music. My definition of music is "organizing sound and silence into emotion," and that's a very broad definition.
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Menswear is about subtlety. It's about good style and good taste.
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Jody Houser, who writes Mother Panic, has this noir-ish superhero style. She's very adaptable.
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Actually, screenplays were much more detailed than what I did in the book In the book I had to invent a style for communicating what the sensation of looking at a film would be, whereas the screenplays I wrote in Paris were actual blueprints for how to do the film, with every gesture, every little movement noted in exhaustive detail.
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Today's smartest advertising style is tomorrow's corn.
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We're genre-sluts, really. We're all good players, and I don't see why we should have to confine ourselves into playing in one particular style. The Beatles never did. It's whatever floats the boat, really.
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We lived in the shadow of our rich relations. Mother was intent on keeping up with the people she was raised with, which was impossible. My father was a physician who wanted to be a rabbi but was weighed down by a great sense of obligation to support his family in style.
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I would get records by Earl Scruggs... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking... And I kind of worked out my own style of playing.
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I'm really lucky that I've had a little gang of people who I've been involved with for a long time... I've been really lucky to have a gang of people who have always been there to encourage me to get on with it. Styles come and go, but I try not to take any notice of that.
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And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
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My style has definitely evolved. When I first started out I think I was a little all over the place and the clothes kind of wore me rather than the other way round. But now I'm at the point where I'm comfortable dressing for me, I know what works and what I like.
