Style Quotes
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I try to absorb all types of style and design. I don't try and restrict my thinking. I enjoy the old and the new. You need that broad perspective to create something different.
Chad Hurley -
We lived in a housing project graced by the architectural style of Early Chicken Coop.
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I started my blog as an online diary. I moved to New York for a job, and I kind of wanted to keep my pictures all in one place. Also, I just love style blogs and wanted to join in on the fun!
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My style kinda comes from the music I listen to.
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I strongly believe that the heritage of Guess is rooted in denim, and the Guess girl looks to us for iconic and sexy styles.
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We're genre-sluts, really. We're all good players, and I don't see why we should have to confine ourselves into playing in one particular style. The Beatles never did. It's whatever floats the boat, really.
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Style is effectiveness of assertion.
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Yes, I tried to change the classical style in a way that people who don't understand it can enjoy.
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I don't change my style for anybody. Pussies do that.
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In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.
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I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.
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The things that are more my own style are something that I don't really have to think about. The only time I have to think about them is if I want to force myself not to do it the way I do it.
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I always had the most fun going to the beach on the weekends with my friends. In a way, we treated our beach style the way New Yorkers treat their street style, so I was always conscious of how I looked.
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I don't really see huge barriers between any styles of music. My definition of music is "organizing sound and silence into emotion," and that's a very broad definition.
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I'm an Isabel Marant woman: I love her style so much.
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When I'm on the field, I don't want to be worrying about my cleats. I want them to enhance my playing style.
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I remember being awed by it - the uniqueness and nicety of style - and I suspect I was a bit jealous because we were more or less of the same generation.
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My personal style is a continued evolution. I can see I've had a different style for every different age in the period of my life. It's difficult for me to say what is my style because I change all the time. I change every eight months, it's so weird.
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I'm really lucky that I've had a little gang of people who I've been involved with for a long time... I've been really lucky to have a gang of people who have always been there to encourage me to get on with it. Styles come and go, but I try not to take any notice of that.
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Actually, screenplays were much more detailed than what I did in the book In the book I had to invent a style for communicating what the sensation of looking at a film would be, whereas the screenplays I wrote in Paris were actual blueprints for how to do the film, with every gesture, every little movement noted in exhaustive detail.
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I actually like the sort of industrial, working-class woman like Rosie the Riveter, so I'm kind of like the sort of street style of the '50s.
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I don't know what's hipper: to Facebook or to Twitter. I just know for me, personally, discretion never went out of style.
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I've always had an ear for melodies, and they veer pop. My lyrics are more country - what I love is the storytelling and the structure, how tight the rhymes can be. But pop melodies have always been intrinsically linked to my writing style.
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Gangsta rap often reaches higher than its ugliest, lowest common denominator, misogyny, violence, materialism and sexual transgression are not its exclusive domain. At its best, this music draws attention to complex dimensions of ghetto life ignored by most Americans. Indeed, gangsta rap's in-your-face style may do more to force America to confront crucial social problems than a million sermons or political speeches.
