Style Quotes
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I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
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I figured if I could put together being funny about stuff and actual events, maybe I could do something that wasn't being done much. Because the reporters that I met out there were funny, and they had hilarious stories that just didn't fit in the AP/UPI/New York Times foreign-correspondent style. They couldn't use the things they had. But I could.
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No, because I've never really changed my style that much.
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I went to Paris for a year in 1986 to study theatre; there was a lot of clowning around, buffoonery and fencing. It was then that my own style kind of blossomed.
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When I think of music, I think of music in its totality, complete. From the lowest blues to the highest symphony, you know, so what I'd like to do is exemplify each style of as many periods as I can possibly do.
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The scholars of Ireland seem not to have the least conception of style, but run on in a flat phraseology, often mingled with barbarous terms.
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By mid-morning, I take a break from my novel and work on my Sunday Style column, which is about pop culture and what I find on the web. I usually start writing it at the beginning of the week and give it a couple of days to marinate before I return to it.
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To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body - both go together, they can't be separated.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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I love French style from the Thirties and Forties. French movie stars like Jean Gabin and Yves Montand had so much natural, effortless style.
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Hollywood is a land of style, a world where how you present yourself matters. Many of the people working here are so dramatically good-looking - that is their style. That's not me, and I know that.
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The prevailing style of management must undergo transformation. A system can not understand itself. The transformation requires a view from outside.
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I dress myself, not to impress, but for comfort and for style.
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I like to smile when its natural. I'm not mad or anything. That's my style.
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Gwen Stefani's style and flow I just love. She is so cool to me!
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There's a lot of women now with a whole lot of style but they are not necessarily song stylists. Some of their style is a lot like me and a lot of people sound a lot alike - you can't tell them apart.
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Going into the second arc, I'm making a conscious effort to do something I say I never do, which is to change my style because of feedback. I'm trying to make 'Pretty Deadly' more accessible by being more clear in the writing.
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As you get older, you develop your style. For me, the simpler, the better.
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When you demand the nature of my motives, you reveal the style of your thinking to be callow, captious, superficial, craven, uncertain and impudent.
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However, please allow me to say that the fundamental style of my writing has been to start from my personal matters and then to link it up with society, the state and the world.
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You have to be down here in the States to realize just how tightly controlled the corporate media is and how much they practise Soviet-style censorship through creative omission.
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What good is power if there's no connection point? My entire style's built around that actual basis.
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My hair has always been a definitive part of my personal style, so I love being part of a campaign that celebrates hair as a form of expression.
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It is disgusting that 'Life & Style' and 'InTouch' magazines continue to print these false stories about my life: the status of my marriage, false reports about a miscarriage, the horrible lie that my dad is not my biological father, jealousy over my sisters' lives, etc.
