Gypsy Quotes
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I was definitely in acting class in school, but I was never the princess of the play. I will always remember: they always gave me the part of the gypsy or the old man in the corner.
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I'm the gypsy man. I don't really live anywhere. I've got a roof over my head in Los Angeles, and I've got a lot of friends everywhere.
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I grew up with my family in a gypsy neighborhood. There was music all day long until late in the night. My father was a guitar player and composer, my two brothers Ramon and Pepe became musicians. When you hear music every day it becomes like milk that you drink and that you need every day. And even before I started to play an instrument, I knew all the rhythms and was able to distinguish the falsettas' in the compositions.
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I wrote a couple of songs that had gypsy references in them. The only reason it happened was because that's what was coming through and I liked the idea at that period of time. But that doesn't mean that it's a myth or that I'm a gypsy. It's gotten totally out of context.
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I'm living in Los Angeles for a couple of years. I've been a gypsy for quite a while. It'll come to an end. I'm going to come back to New York.
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I wanted to have a home where I could go home and unlock my door and go in and be settled. I was tired of being a gypsy.
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I was very burned out after Buffy. It was exhausting. It took me from essentially 18 on the pilot to being 24 and married when we finished. That show was my life. I was doing movies on the hiatuses and on weekends, but I needed to explore and live that gypsy lifestyle.
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"Things have a life of their own," the gypsy proclaimed with a harsh accent. "It's simply a matter of waking up their souls."
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I'm a bit of a wandering gypsy on the pitch.
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I am such a gypsy.
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Literature, like a gypsy, to be picturesque, should be a little ragged.
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I wanted to become an actor because I wanted to become a gypsy. I wanted to live the gypsy life!
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I can still remember the afternoon, on my 15th birthday, when I opened up 'The Virgin and the Gypsy,' D.H. Lawrence's novella, in my tiny cell in boarding school, and whole worlds of possibility opened out that I had never guessed existed. The language was on fire and sang of liberation.
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The advantage of the gypsy language, even though I don't understand it that much, the language is perfect melody. So if you propose the movie the way I do, then the language is just one part of the melody. Orchestrating all inside, and the language is following the meaning of what they say, and it's never the same as written.
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Bob: Welcome to the Lucky Strike Program. In just a few minutes, you'll see our star, Gypsy Rose Benny.
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I am fighting royalty. I have gypsy kings on both sides of the family.
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I am a gypsy, in a way. It's a condition of my profession.
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Me and my husband make decisions together, and we think of the children always, as a lot of jobs take you away as an actor, and it's a bit of a gypsy lifestyle.
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Noomi [Rapace] felt fresh. And she's passionate and ambitious in all the right ways. She's a tour de force. Every time I was trying to have a discussion with the actors, she'd be pulling out a blade out from underneath her gypsy skirt and menace someone saying, "Maybe I should slit your throat."
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My company, Cinema Gypsy, produced a podcast, 'Bronzeville,' in conjunction with Larenz Tate and his brothers that we're developing into a television show. It deals with a very tight-knit African-American community in Chicago in 1947 and people who run a numbers wheel.
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I've always been a bit of a gypsy.
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Live a little be a gypsy, get around. Get your feet up off the ground, live a little, get around.
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This week, I'm a gypsy. Maybe next week it'll be glitter rock.
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I always have scarves handy; they're my indulgence. I buy them at an L.A. shop called Lost & Found. I'll spray one with loads of my Byredo Gypsy Water perfume, put it on and be like, 'Ah, this feels good.'
