Photography Quotes
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I do note that photography, a despised medium to work in, is full of empty phonies and worthless commercial people. That presents quite a challenge to the man who can take delight in being in a very difficult, disdained medium.
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Photography has all the rights, and all the merits, necessary for us to turn towards it as the art of our time.
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I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
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I have very interesting hobbies like archeology and photography.
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Every photograph is a battle of form versus content.
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Photography has always been capable of manipulation.
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I do read many of the photography magazines from the U.K. and abroad.
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With chemical film, it was possible to alter photographs, but you had to be an expert. That's not true any more. The LA Times fired a photographer at the beginning of the Iraq War for editing two shots together. Photography is crumbling. Certainly it is for the newspapers a bit now, isn't it? There will be painting again, absolutely!
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It's the rejection that is hard. It's not the interviewing that's hard. It's not the photography that's hard. It's, you know, approaching people all day long and having a good portion of those people reject you and some of them be rude.
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Photography takes an instant out of time, altering life by holding it still.
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... the battle for the acceptance of photography as Art was not only counter-productive but counter-revolutionary. The most important photography is most emphatically not Art.
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I just love the world of photography.
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Photograph because you love doing it, because you absolutely have to do it, because the chief reward is going to be the process of doing it. Other rewards - recognition, financial remuneration - come to so few and are so fleeting...Take photography on as a passion, not a career.
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Every part of me is a surfer. I love surfing, and I love the waves that I surf. So that's the thing that I get excited about most: What kind of waves am I going to be able to surf? Am I going to be surfing alone, or will we be surfing waves that no one's surfed before? Second to that is photography.
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Visual ideas combined with technology combined with personal interpretation equals photography. Each must hold it's own; if it doesn't, the thing collapses.
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I was always painting when I was a kid. But then when I handled a camera when I was 17, that was it for me. I loved photography. I would work 4 or 5 hours a day. It was like a calling.
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I had fallen in love with photography and was making a living doing photographic features for publications such as 'Picture Post,' 'Paris Match' and 'Life' magazine. But in 1939, I saw a huge headline, which I think was in the 'Sunday Express.' It said, 'Danzig - Danger Point of Europe.' I packed up my Leica, got on a train, and went.
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For this very reason I refuse all the tricks of the trade and professional virtuosity which could make me betray my career. As soon as I find a subject which interests me, I leave it to the lens to record it truthfully. Look at the reporters and at the amateur photographer! They both have only one goal; to record a memory or a document. And that is pure photography.
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I chose photography over writing. I had to make a living.
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I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.
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I love to paint, do ceramics, photography. I got a lot of side things that I like to do.
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If the artist only reproduces superficial features as photography does, if he copies the lineaments of a face exactly, without reference to character, he deserves no admiration. The resemblance which he ought to obtain is that of the soul; that alone matters; it is that which the sculptor or painter should seek beneath the mask of features.
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While photography to Cartier-Bresson is constantly an intuitive process, it is never purely instinctive. It is founded on continuous intellection, on ceaseless consideration during all moments previous to, or preparatory for, the pressing. It does not only operate in the blinding flash of a moment seized; it works all the time. The snatched picture merely cuts across the vein of observable incident or accident which is always beating, whether or not the fingers actually press.
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Photography can strip from the world that spiritual dust and grime with which our eyes have covered it.
