Photography Quotes
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You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
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Ballet might be too formal of a title for the type of dance I do, but I love to dance. I love to draw and paint; I do ceramics and photography. I'm interested in a lot of creative stuff.
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I do read many of the photography magazines from the U.K. and abroad.
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Over the last few millennia we've invented a series of technologies - from the alphabet to the scroll to the codex, the printing press, photography, the computer, the smartphone - that have made it progressively easier and easier for us to externalize our memories, for us to essentially outsource this fundamental human capacity.
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The photo is a thing in itself. And that's what still photography is all about.
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I began to see cinema as the perfect combination of so many wonderful art forms - painting, photography, music, dance, theater.
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Photography has always been capable of manipulation.
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Since high school, I've always been super into photography. I event went to Valley College for photography.
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I became interested in photography during my first visit to the United States. I was a student at a university in Holland. I was overwhelmed by the beauty of the American West. That was when I learned about the tradition of nature in American photography.
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Love can be found in making little dresses for stuffed birds, or in a garden of tenderness like I have done - mixing writing, photography, and real spaces. There are all kinds of acts of love.
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Photography can strip from the world that spiritual dust and grime with which our eyes have covered it.
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There is a reality - so subtle that it becomes more real than reality. That's what I'm trying to get down in photography.
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I say half jokingly that photography is the most difficult of the arts. It does require a certain arrogance to see and to choose. I feel myself walking on a tightrope instead of on the ground.
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Photography is not about the thing photographed. It is about how that thing looks photographed.
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I have very interesting hobbies like archeology and photography.
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I have a burning desire to see what things look like photographed by me.
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Photographers mistake the emotion they feel while taking the photo as a judgment that the photograph is good
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People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
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I'm not satirical in a traditional way. What I do is more about creating caricatures and cartoons. I am commentating on the nature of how we live through photography, and how you can twist an angle to create a different perception of a person.
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What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
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If I didn't have a conviction that a serious painter can portray Nature more profoundly than the best colour photography, I'd probably give it all up or go abstract or take up photography.
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For example, Michael Mann's film Collateral - there is certain kinds of stories that lend themselves to digital photography. Some things are very raw stories that digital photography kind of lends itself to.
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Philip Greenspun had a huge impact on me. He was the first person I knew of that embraced online communities, created a real business around open source, gave back to the community through education, and inspired me to explore photography.
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I was scared when I went to Conde Nast. I had heard horror stories about how they used you up and then spit you out and went on. But there was this great history of photography that had been done there.