Photography Quotes
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Photography works upon the human eye: what is seen is reflected in the brain without the need for complicated thought. In this way the bourgeoisie takes advantage of the mental indolence of the masses and does good business as well.
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I am a former economist. I never went to photography school to learn photography.
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Nothing is more hateful to me than photography coated with gimmicks, poses and false effects. Therefore let me speak the truth in all honesty about our age and the people of our age
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If I photograph you I don't have you, I have a photograph of you. It's got its own thing. That's really what photography, still photography, is about.
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I'm not satirical in a traditional way. What I do is more about creating caricatures and cartoons. I am commentating on the nature of how we live through photography, and how you can twist an angle to create a different perception of a person.
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The beauty of women was the first expression of my photography.
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I really try to divorce myself from any thought of possible use of this stuff. That's part of the discipline. My only purpose while I'm working is to try to make interesting photographs, and what to do with them is another act - an alter consideration. Certainly while I'm working, I want them to be as useless as possible.
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I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for the money.
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I had become obsessed with the control-freak aspect of photography and with the rising importance of the image in our social media age it ended up working.
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Photography is about light and what it does and how it is captured on a piece of negative.
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I came up in photography, and Dust Bowl-era photography is a lot of the reason that I got behind the camera in the first place.
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Photography gives you the opportunity to use your sensibility and everything you are to say something about and be part of the world around you. In this way, you might discover who you are, and with a little luck, you might discover something much larger than yourself.
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In the '70s, in Britain, if you were going to do serious photography, you were obliged to work in black-and-white. Color was the palette of commercial photography and snapshot photography.
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The world of fashion and fine arts in New York really took me by surprise, and photography has helped me through a period of personal turmoil. I am glad when people like my portfolio, but its aim is - or was - to keep me at peace.
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While I was there I became deeply interested in photography, and indeed the most noteworthy event in my early life was winning first, third, fourth and seventh prizes in an international competition for college and high school students.
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I don't have anything to say in any picture. My only interest in photography is to see what something looks like as a photograph. I have no preconceptions.
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Photography is a medium of formidable contradictions. It is both ridiculously easy and almost impossibly difficult. It is easy because its technical rudiments can readily be mastered by anyonwith a few simple instructions. It is difficult because, while while the artist working in any other medium begins with a blank surface and gradually brings his conception into being, the photographer is the only imagemaker who begins with the picture completed. His emotions, his knowledge, and his native talent are brought into focus and fixed beyond recall the moment the shutter of his camera has closed.
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For me the true business of photography is to capture a bit of reality (whatever that is) on film...if, later, the reality means something to someone else, so much the better.
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I feel, having the choices I had, I felt I had more control over my own medium than I did over photography.
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I studied photography in high school, and straight away, I knew it was something I was interested in.
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Getting anywhere you want is hard work. In this photography culture, everything looks so amazing. But it's actually very hard to get to where anybody gets.
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I hope my work isn't dismissed by the critics as illustration or photography.
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Painting and photography keep the creative channel open, and for an actor, it's to keep alive, it's to keep awake, it's to keep watching, it's to keep feeling, it's to keep enjoying, to keep that sensuality of feeling alive.
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The photograph should be more interesting or more beautiful than what was photographed