Painting Quotes
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At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery.
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To me, the art of cinema is the same as the art of painting. The artist takes a 2D medium and gives you the illusion of depth. If you look at any of the great paintings, you have the illusion of depth. Which is part of the art. The same with the great movies.
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I couldn't resist painting Orpheus and Charon on the River Styx. There was something strangely intriguing about seeing Orpheus playing his lyre as he is being shuttled across the river.
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My hobbies away from horse racing would be reading and painting; I love art.
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I'm inspired by being in a different town every day - all the people I meet, all the things I see. There's no way of compartmentalizing everything in my head; whatever I'm taking in is coming out in some way. I think I love painting so much because, for me, it's so fast. There's not too much thought in these paintings.
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Art comes from art: I remember going to the Matisse show and seeing how Matisse had taken one of his own paintings, worked from it and transformed it, and that had led on to the next one and the next.
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In Holland, everyone is an expert in painting and in tulips.
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The real subject of every painting is light.
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I don't think money can help you become a better painter, for sure. You can have all the studios you want; it won't help you make a better painting.
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The free placement of the means of expression is a privilege enjoyed exclusively by painting different opinion with Theo van Doesburg . The sister arts, sculpture and architecture, are more restricted in this respect. The other arts enjoy even less scope in their employment of the means of expression.
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All I'm doing is painting. It's my hobby. And that's that.
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Decades ago, Gerhard Richter found a painterly philosopher's stone. Like Jackson Pollock before him, he discovered something that had been in painting all along, always overlooked or discounted.
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Anne of Austria, wife of Louis XIII of France, had such an aversion to roses that she could not stand seeing one even in a painting.
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It took me twenty years to discover painting: twenty years looking at nature, and above all, going to the Louvre.
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I'm a big fan of Edouard Vuillard, so I'd like anything by him - particularly a painting called 'Madame Hessel on the Sofa.' His work is realistic without being literal: I can really imagine what Madame Hessel is thinking.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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The trend in some of the contemporary movements in art, but by no means all, seems to deny this ideal and to me appears to lead to a purely decorative conception of painting.
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I haven't stopped painting or drawing - I've just added another medium.
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Enough of Art. It's Art that kills us. People no longer want to do painting: they make art.
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It is the last painting that I want to do, but I want to surpass myself in it. I am putting into it the experience of my 65 years and I do not want to touch a paintbrush again.
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What seems most significant to me about our movement is that we have freed painting from the importance of the subject. I am at liberty to paint flowers and call them flowers, without their needing to tell a story.
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I influenced the BG style by not being able to draw perspective. The BG artists developed cool graphic painting styles to make my bad backgrounds look like they were that way on purpose.
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Pope Francis tells us who he is by pointing to Caravaggio's St. Matthew: 'Here, this is me, a sinner on whom the Lord has turned his gaze.' He is telling us that he has experienced the same rush of speechless wonder and graced love Caravaggio depicts in his painting.
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What do you think of this" he asked, indicating the painting nearby. She gave him an odd look. "I think it's an enormous painting of a dog." He made a show of considering the picture and nodded seriously. "An astute observation.
