Painting Quotes
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Before adolescence I had an incredible voice. Like when I was 12, 13, 14 - I was taking acting classes, I was painting, I was making music, I was taking photographs. I was kind of exploding creatively, and then something about adolescence really just ground that out of me.
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For most Americans, poetry plays no role in their everyday lives. But also for most Americans, contemporary painting or jazz or sculpture play no role either. I'm not saying poetry is singled out as a special thing to ignore.
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I can't think of anything more rewarding than being able to express yourself to others through painting. Exercising the imagination, experimenting with talents, being creative; these things, to me, are truly the windows to your soul.
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I always love long shirt dresses with hand painting on it. It's just wonderful.
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Well painting is certainly my main thing. I will keep doing that for the rest of my life, but if I become famous I would maybe like to experiment with acting, or I have a good voice so maybe a little bit of singing. I'm going to take singing lessons, so who knows.
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I don't think money can help you become a better painter, for sure. You can have all the studios you want; it won't help you make a better painting.
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Most people wouldn't guess, but I'm really into painting: acrylics and sometimes oils.
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If a painting has a soulful effect on the viewer, if it puts his mind into a soulful mood, then it has fulfilled the first requirement of a work of art. However bad it might be in drawing, color, handling, etc.
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There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
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It's important to be yourself. What art does for everyone, helps you understand yourself and in a distilled way, whether it's a painting or a scene in acting or a joke. It distills something about everyday life that can be important to you.
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The real subject of every painting is light.
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All this takes many clumsy and inexact word-descriptions to describe, but if we read paintings like we read books, it would not be such a hidden language for painting can effortlessly produce such elegant solutions.
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I'm working hard with more determination than ever. My success at the Salon led to my selling several paintings and since your absence I have made 800 francs; I hope, when I have contracts with more dealers, it will be better still.
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I couldn't resist painting Orpheus and Charon on the River Styx. There was something strangely intriguing about seeing Orpheus playing his lyre as he is being shuttled across the river.
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It is better decoration when, in painting, some monstrosity is introduced for variety and a relaxation of the senses and to attract the attention of mortal eyes, which at times desire to see that which they have never seen.
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No one purposefully paints a bad painting. It's someone who's trying to do a good painting, but it's terrible. I have one with a matador, and the bull is going through the blanket. You can tell the painter didn't know how to paint it.
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At 18 I began painting steadily fulltime and at age 20 had my first New York show at the Macbeth Gallery.
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An effective lighting design is like a beautiful painting. Your medium is bringing someone to an emotional state he or she would not achieve at that moment without your art. This does not and can not happen by accident.
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What's that supposed to be anyway?" said Fred squinting at Dobby's painting. "Looks like a Gibbon with two black eyes!" "It's Harry," said George pointing at the back of the picture. "Says so on the back." "Good likeness," said Fred grinning. Harry threw his new homework diary at him.
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You can eliminate color and still have a painting that works, but you must have drawing, value and design.
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Every time I started painting it was like a new experience, but they all came out the same.
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Mathematics is an activity governed by the same rules imposed upon the symphonies of Beethoven, the paintings of DaVinci, and the poetry of Homer.
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It took me twenty years to discover painting: twenty years looking at nature, and above all, going to the Louvre.
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What seems most significant to me about our movement is that we have freed painting from the importance of the subject. I am at liberty to paint flowers and call them flowers, without their needing to tell a story.
