Painting Quotes
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I'm inspired by being in a different town every day - all the people I meet, all the things I see. There's no way of compartmentalizing everything in my head; whatever I'm taking in is coming out in some way. I think I love painting so much because, for me, it's so fast. There's not too much thought in these paintings.
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One minute you're bleeding. The next minute you're hemorrhaging. The next minute you're painting the Mona Lisa.
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Photography started as a means of getting reference material for my paintings of nature subjects.
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It is better decoration when, in painting, some monstrosity is introduced for variety and a relaxation of the senses and to attract the attention of mortal eyes, which at times desire to see that which they have never seen.
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You don't leave the film alone. You have a new audience, and you have a new medium. Why would you leave it alone? Film is not an antique. It's not a relic. It's not a Leonardo da Vinci. I don't want someone painting over a da Vinci or Rembrandt. But these movies aren't that.
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Every time I started painting it was like a new experience, but they all came out the same.
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No one purposefully paints a bad painting. It's someone who's trying to do a good painting, but it's terrible. I have one with a matador, and the bull is going through the blanket. You can tell the painter didn't know how to paint it.
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I liked sculpting better than painting. You have more freedom in sculpting.
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We have such a great depth of human history in all of the arts, whether it's opera or mathematics or painting or classical music or jazz. There's so many things to study, new books to read, and certainly always ways to transform old ideas and to come up with new ones.
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Each line is now the actual experience with its own innate history. It does not illustrate - it is the sensation of its own realization. a written art note by Twombly on a painting he created in 1957.
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The form of my painting is the content.
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It's important to be yourself. What art does for everyone, helps you understand yourself and in a distilled way, whether it's a painting or a scene in acting or a joke. It distills something about everyday life that can be important to you.
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'I'd been painting rats for three years before someone said 'that's a clever anagram of art' and I had to pretend I'd known that all along.'
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I initially felt shy about doing painting because I wasn't a professional painter. I almost felt like I didn't deserve to paint. But I have gradually adopted a different kind of attitude about this.
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All I'm doing is painting. It's my hobby. And that's that.
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I wasn't interested in going to the school dances. I wasn't interested in going to the football games. What I wanted was to be in my room painting my walls and doing weird stuff. That's what I wanted and I got to do what I wanted, so that, to me, is my high school experience.
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If London is a watercolor, New York is an oil painting.
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These collages were static symmetrical constructions, portico's with pathetic vegetation, the gateway to the realm of dreams. They were done with colored paper in black, orange or blue dye plates. Although cubist painting interested me very much, not a trace of their influence was to be found in my collages.
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I was doing something that the officials or art commission probably didn't consider important... I was experimenting with different kinds of realistic art, impressionism and the more decorative compositions of different forms of painting, which took away from the earlier photographic realism that I was doing.
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I acquired quite a lot of technical skill and got quite a long way with my painting, but I never felt I was doing what New Zealand was about with my paint.
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Does any art have a practical value? People love to talk about how expensive a painting is. That's the only way we can talk about paintings in this century.
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I'm not painting myself as a down-home, modest guy.
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Every good picture leaves the painter eager to start again, unsatisfied, inspired by the rich mine in which he is working, hoping for more energy, more vitality, more time - condemned to painting for life.
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I always wanted to do something creative, but as much as I'm creative, it's in a really hard-core, right-brained way. For me, painting doesn't do it for me. There's no constraint.
