Painting Quotes
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Being in the studio, it's more of a controlled environment, where you can be Salvador Dali and sit back and look at the painting. And you can go, 'Ah, you know what? Maybe a little bit more red over here...maybe add some blue over here.' You can sit back and look at the painting.
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Photography as a subject is a good one. Its history is only about 150 years... You only have to know about twenty-five or thirty names and that's it. All you need. In painting there are more than 1,000.
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Painting is a visceral experience, one loaded with subtle information. Only Cezanne could get away with a system.
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...photography can lie as convincingly as literature or painting. The angle, the selected content, the assumed context.
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I'm always trying to get to a danger point in color, where color either becomes too sweet or it becomes too harsh, it becomes too noisy or too quiet, and at that point I still want the picture to be strong, forceful, and the carrier of everything that a painting has to have: contrast, drama, austerity.
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If you try consciously to be avant-garde, it's a little dangerous, like the present state of modern painting, where dealers try to be avant-garde, and under this pretext, painters take some old scraps and call it avant-garde.
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I can't change the fact that my paintings don't sell. But the time will come when people will recognize that they are worth more than the value of the paints used in the picture.
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In my opinion painting should be considered excellent in proportion as it approaches the effect of relief, while relief should be considered bad in proportion as it approaches the effect of painting.
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Although cover notes for classical music albums tend to say that the trill of flutes suggests mountain streams and so on, I don't think anybody listens to music with the expectation that they're going to be presented with a sort of landscape painting.
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Painting is a way of thinking visually, so whatever is happening with me at the time gets reflected in the work.
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I am well aware that a painting must inevitably be a bizarre, incomprehensible thing.
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I'd like to get all the colors in the world into one painting
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I was working within a figurative representational framework, and there was a sense of reading the painting as a transparency, or truth, or autobiography, which I think is partially the burden of artists of color - or women, or anybody who is representing a so-called minority position. Are you actually telling a true story, or your own story? You don't just get to tell a story. The readings of the work didn't necessarily conform to my own understanding of mythology, where violence and eroticism and the body and all of these different forms coexist all the time.
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The moon was up, painting the world silver, making things look just a little more alive.
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'Departure' also the title of a famous triptych painting of Max Beckmann, yes departure from the illusion of life toward the essential things that wait behind appearance.. .We must insist that Departure is not bound to a political trend, but is symbolic for all times.
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I am very depressed and deeply disgusted with painting. It is really a continual torture.
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If more than ten percent of the public likes a painting, it should be burned.
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Keep painting - day in - day out. Be absorbed by it.
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When you see Hitler burning paintings by Salvador Dali and Picasso he's telling you that this time period and these men and this culture didn't exist, and I've seen that happen in other countries, Sudan for instance, it's not enough to kill them you have to destroy all of their markings that they left that was their history.
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At its edges, a painting makes its surrender to reality. The ways in which it can do so are endlessly revealing, as infinite as the potential forms of painting itself.”
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Braque always said that the only thing that counts, in painting, is the intention, and it's true. What counts is what one wants to do, and not what one does. That's what's important.
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Painting is such an individual profession. I'm not performing. There's no audience.
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Well, something must be done for May, The time is drawing nigh-- To figure in the Catalogue, And woo the public eye. Something I must invent and paint; But oh my wit is not Like one of those kind substantives That answer Who and What?
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what a writer does is to try to make sense of life. I think that's what writing is, I think that's what painting is. It's seeking that thread of order and logic in the disorder, and the incredible waste and marvelous profligate character of life. What all artists are trying to do is to make sense of life.
