Painting Quotes
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A portrait is a painting with something wrong with the mouth.
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I started out with projected-light works and working indoors, but I'd prepare the walls - by sanding, etcetera - the way you'd prepare a canvas for painting.
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It's like painting the same blank canvas over and over and over and over and over. Once the concept is known, you don't need to see two. And that was in the back of my head, that I was really done artistically with what I had created or pastiched.
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No one but myself knows the anxiety I go through and the trouble I give myself to finish paintings which do not satisfy me and seem to please so very few others.
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I am working with the enthusiasm of a man from Marseilles eating bouillabaisse, which shouldn't come as a surprise to you because I am busy painting huge sunflowers.
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I grew up painting and playing piano so when I was a little kid I thought I was going to be an artist or a painter but my mom had me taking piano lessons for about 10-12 years as a young kid.
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Sunday is the one day I keep reminding myself that I should lay around and take it easy, but because I am O.C.D. and an extreme multitasker, I find it hard to get lazy. I love Sundays for painting because it's quieter; the gallery is closed, and there are no interruptions.
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Painting is a visceral experience, one loaded with subtle information. Only Cezanne could get away with a system.
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Good painting is the kind that looks like sculpture.
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Very few people have a natural feeling for painting, and so, of course, they naturally think that painting is an expression of the artist's mood. But it rarely is. Very often he may be in greatest despair and be painting his happiest paintings.
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Painting and tattooing the body is a return to animalism.
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I have never heard a dancer asking for advice about how to stay focused on her footwork, or a painter complaining about the dull day-to-day task of painting. What task worth doing isn't worth daily effort? Do you think Michelangelo was having fun the whole time he was on his back painting the Sistine Chapel's ceiling?
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I have not written in vain if I have heretofore done anything towards diminishing the reputation of the Renaissance landscape painting.
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That sculpture is more admirable than painting for the reason that it contains relief and painting does not is completely false. ... Rather, how much more admirable the painting must be considered, if having no relief at all, it appears to have as much as sculpture!
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l can do very well without God both in my life and in my painting, but l cannot, ill as I am, do without something which is greater than l, which is my life — the power to create.
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Just as I am astonished that a bank clerk never eats a cheque, so too am I astonished that no painter before me ever thought of painting a soft watch.
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I never think about actual things when I'm painting. I'm not thinking, "I'm going to put a person here, a tree here and a bird there." The beginning stage is always the sound. From that, slowly, stories come about based on what I'm reading or thinking at the time, but if I didn't have that sound I don't know what I would do.
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We believe that we can find the end, and that a painting can be finished. The Abstract Expressionists always felt the painting's being finished was very problematical. We'd more readily say that our paintings were finished and say, well, it's either a failure or it's not, instead of saying, well, maybe it's not really finished.
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I majored in industrial design/painting, but haven't had time to exercise that creativity.
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The author Goya is convinced that it is as proper for painting to criticize human error and vice as for poetry and prose to do so, although criticism is usually taken to be exclusively the business of literature.
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I explored the arts in general; I took painting classes and sketching classes and acting classes and all sorts of different things.
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I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.
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I reduced painting to its logical conclusion and exhibited three canvases: red, blue and yellow. I affirmed: it's all over. Basic colors. Every plane is a plane and there is to be no representation.
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I paint ideas, not things. My intention is less to paint works that are pleasing to the eye than to suggest great thoughts which will speak to the imagination and the heart and will arouse all that is noblest and best in man.
