Record Quotes
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What I argue is that if I'm going to be held accountable for my actions that I should be allowed to record... my actions. Especially if somebody else is keeping a record of my actions.
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Two weeks after having Bandit I was in a recording studio. I hadnt yet really fully understood what being a dad was and, man, I was exhausted. But she is 17 months now. Shes running, shes been running for a long time. Shes inspired me a great deal for the record. She even goes Wow Daddy! when I play to her.
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Wherever we look at the living biota … discontinuities are overwhelmingly frequent…The discontinuities are even more striking in the fossil record. New species usually appear in the fossil record suddenly, not connected with their ancestors by a series of intermediates.
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Just beat my record for most consecutive days without dying.
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Admitted mama's boy here - put that on the record.
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We let go of many noises in the recording to preserve the environment that was there. I feel that, more than a record, we took a photo of that moment in our lives that was a valuable hinge for each other’s paths.
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There is real relief on board, it hasn't been the most ideal way to start but we are really happy to be able to get on with the task of challenging the Jules Verne record.
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As far as the people that have inspired me, they're the people that I have played with the most. For example, the record that I made called Virtue, there was a wonderful band and a wonderful drummer by the name of Ludwig Afonso and a wonderful bass player by the name of Armando Gola.
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People thought we were crazy for starting a record company. They really thought I was shooting myself in the foot.
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I write songs in batches and then record them and then can't write again for ages. I try and build one song upon another, they may not obviously look inter-related but often one song acts as a springboard into another.
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I've always wanted to record a jazz record. I did one in the '70s with Barbara Carroll. It's been a journey.
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The 'Inside' record definitely opened up a whole new audience.
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For me the songs on this album come from a really poetic and abstract vein. The record has a strong focus on the rhythmic and melodic parts, so in that moment I felt like the lyrics needed to be more like a poem, abstract images creating sensations beyond the “storytelling”.
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As I was sitting there, the deejay was playing music and talking over the music, and the kids were going crazy. All of a sudden, something said to me, 'Put something like that on a record, and it will be the biggest thing.' I didn't even know you called it rap.
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I welcome a scrutiny of my entire record.
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I actually had to leave the country for infractions to fall off my record.
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Succes is really nothing more than the record of failure. To be successful means you must be willing to fail more than anyone else.
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The way campaign funds are distributed are all a matter of record.
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It is a maxim among these lawyers, that whatever hath been done before, may legally be done again: and therefore they take special care to record all the decisions formerly made against common justice and the general reason of mankind.
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I'll be honest with you, one of the things that frustrated me the most out the record leak thing, it had nothing to do with record sales - I mean, that's a joke. Has anybody looked at how many records anybody sells anymore? If you're not Jay-Z, a record leaking isn't going to affect you. It was just really personal.
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The live thing is separate from the record for me. I have to figure out a way to make the songs work live. It's always going to be different than it is on a record, because every record I've made, there are people playing parts on there that are not going to be coming on tour with me. As much as still feeling connected to it, it's more like rediscovering.
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I listen to every thing, all kinds of stuff. I've been obsessed with the Nas and Damian Marley record, 'Distant Relatives.' I feel like a lot of people haven't heard it, and it's amazing.
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The main things to rebel against - over-production, too much technology, overthinking. It's a spoiled mentality; everything is too easy. If you want to record a song, you can buy Pro Tools and record four hundred guitar tracks. That leads to overthinking, which kills any spontaneity and the humanity of the performance.
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So we may look at this and say, ‘We are tampering with the earth.’ The earth is a twitchy system. It’s clear from the record that it does things that we don’t fully understand. And we’re not going to understand them in the time period we have to make these decisions. We just know they’re there. We may say, ‘We just don’t want to do this to ourselves.’ If it’s a problem like that, then asking whether it’s practical or not is really not going to help very much. Whether it’s practical depends on how much we give a damn.
