Trying Quotes
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In my books I have lifted bits from various religions in trying to come to a better understanding; I've made use of religious themes and symbols. Now, as the world becomes more pagan, one has to lead people in the same direction in a different way.
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I think if you come out to California trying to be an actor, it's pretty hard. There's desperation. A lot of people are desperate, and a lot of people are clueless, including me. It's hard to try to figure it out. I've never told you, but I have head shots that if you saw them... they're so terrible! It's so embarrassing.
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I think that we're trying to look at all of our assets and figure out what's the best use and where we need to make investments in infrastructure to enable the projects that we want.
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What I admire is people who are grounded and resistant to all kinds of whisperings. Kimi Raikkonen, for example. You may like him or not, but he lives his way. He does the things he has identified as worthy for him and he is not trying to be everybody’s darling. At least he doesn’t give that impression. He is straightforward and honest and he tells you if he has a bad day. Period. He is real. He’s not political. He’s never up to something. If he doesn’t want to tell you something he will say so and not hum and haw. He doesn’t beat around the bush, never coming to the point.
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It's about polarization. You're trying to stir up something in your audience.
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'The Lucky One' features a young concentration camp survivor named Peter Rashkin - who's about the age my dad was when he started at CBS - working at the Oyster Bar, trying to acclimate to his new country and outrun the memories of the daily he left behind.
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It's funny: By putting up walls, you think you're protecting yourself, but you get to live less. You're depriving yourself of so much if you're trying to be too aware of what you're putting out there. If you feel someone breaking those walls down, let them. Those are the people that you need to find in life, rather than people that you're just comfortable with.
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The things that keep me awake at night are things like textures and instrumentation and plotting out what things are going to do and what the sounds are that I'm trying to capture.
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I'm just trying to be the me that I am and not all of this other crap. I just want to be the family man, and if somehow I can make the money to get my ranch and get the hell away from everybody else, that would be awesome.
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I am trying to be guided by my passion.
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If I've ever regretted anything, it was putting all my eggs in one basket, holing up and kneeling at the altar of literature, instead of going out and at least reviewing, running around and trying to write for magazines. That would've been the intelligent thing to do, but I didn't, and that was because of fanaticism.
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What lots of people have been trying to do ever since is find what's beyond the current Standard Model. So far, it has stood impervious to all attacks.
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The material body has a practical reality that is accessible. It is here and now, and we can do something with it. However, we must not forget that the innermost part of our being is also trying to help us. It wants to come out to the surface and express itself.
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People want to know if I have a moral standpoint that they should be picking up on, and the truth is, I don't. I don't want people to think that I'm trying to tell them to feel a certain way. I think that's cheap filmmaking.
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May Sarton said, "the deeper you go, the more universal you become." It's a reminder to me that those things I try to convince myself I don't need to admit are usually those things I need the most to say. Speaking the truth, in its most poignant details, is liberating and gives those around us the freedom to be real.
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Well I'm a-gonna raise a fuss, I'm gonna raise a holler About workin' all summer just to try an' earn a dollar Everytime I call my baby, to try to get a date My boss says, no dice, son, you gotta work late Sometimes I wonder what I'm gonna do 'cause there ain't no cure for the summertime blues.
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I think I'm always subconsciously trying to write the ideal school play. Lots of parts for everybody, great parts for women - don't forget, more girls try out than boys in the school play; everyone gets to be in the school play.
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That body is still new to her, she's still trying it out, thinking it through, a bit like a kid walking the streets with a loaded gun and deciding whether he's packing it to protect himself or to begin a life of crime.
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Ascribing racial animus to people who are trying to safeguard democratic integrity is a crude yet effective political tactic that obscures the truth. But there's something even worse than name-calling: legal interference from Washington with valid laws.
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If my wife is cooking a meal at home, which is not often, thankfully, but you know, she's doing (oh, she's good at some things) but if she's cooking, you know, she's dealing with people on the phone, she's talking to the kids, she's painting the ceiling, she's doing open-heart surgery over here; if I'm cooking, the door is shut, the kids are out, the phone's on the hook, if she comes in I get annoyed, I say "Terry, please, I'm trying to fry an egg in here, give me a break.".
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When we stop trying to control events, they fall into a natural order, an order that works. We're at rest while a power much greater than our own takes over, and it does a much better job than we could have done. We learn to trust that the power that holds galaxies together can handle the circumstances of our relatively little lives.
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If I print something out, I just spend all my time trying to find where I've put it down.
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I'm trying to solidify a long-term career, because I have no other skills and no other abilities.
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On a fundamental level - I know so many women in their 30s who didn't get married, or they did and it didn't work out, or they didn't have children because they were trying to get their careers going, or because they were expected to be independent, plus have a family. They didn't feel secure enough.
