Trying Quotes
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I got to draw monsters, robots and write funny stories. I loved doing that stuff and working with the actors. But it got to be less and less that stuff and more about trying to be everywhere and not being able to do one thing very enjoyably.
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I don't go into a game with specific targets. I don't pinpoint an opposing player before a match, trying to exploit a kind of weakness.
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Does anybody find it creepy how many Grant robots have been on the show? Is it just me or he like trying to clone himself and make a little army?
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I started out from a pretty modest background, so I always had a pretty good sense of money. I always had to work for my money, save my own money, I always bought my own stuff with my money... trying not to waste money unnecessarily.
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In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.
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If a player is trying to intimidate a skilled player on your team, what do we want? We want our skilled players playing, so we shouldn't be doing that.
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I reckon I've done my bit. I want to enjoy myself a bit now, with less responsibility, less frantic rushing about, less preparation, less trying to think of something to say.
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I'm always trying out new stuff onstage. That's where I do all my writing.
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At the Home Run Derby, you're expected to hit home runs. You're up there trying to hit home runs.
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I'm definitely careful. I'm not reckless or stupid, but that's how I was raised, to not be stupid or immature in as far as trying to grow up too quickly or putting forward a certain image that isn't me.
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Life is confusing. We're all just trying to get on with it, that's all.
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Everyone is trying to do something that hasn't been done and that's a really good thing. You can only do so much with a story and some scripts don't give you the opportunities and other scripts do give you the opportunities to do things that haven't been done before.
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In a long poem or a sequence of poems, you're trying to formalize your obsessions and give them a shape and a name. The key is to realize if the connections you are making are ones with resonance.
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The balance when you're catching people up, and the craft of what we do as actors, is to try to make sure that the exposition sounds like thought and dialogue, and a plan or a problem or something that is motivationally induced, rather than just telling the audience information.
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My research debunks the myth that many people seem to have . . . that you become a leader by fighting your way to the top. Rather, you become a leader by helping others to the top. Helping your employees is as important, and many times more so, than trying to get the most work out of them.
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The power system continues only as long as individuals try to get something for nothing. The day when a majority of individuals declares or acts as if it wants nothing from the government, declares that it will look after its own welfare and interests, then on that day the power elites are doomed.
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Sincerity is the key which will open the door through which you will see your separate parts, and you will see something quite new. You must go on trying to be sincere. Each day you put on a mask, and you must take it off little by little.
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My back swing off the first tee had put him in mond of an eldery woman of dubious morals trying to struggle out of a dress too tight around the shoulders.
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You used to have to come to America for 18 months and drive around in a van, trying to get radio stations to play your song. But I remember One Direction's manager telling me that the first time they came to America, they hadn't released a song - they'd only been on 'The X Factor.' But there were 2,000 fans waiting at LAX airport.
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People were desperately trying to fill their seats for the summer. And so prices are really low right now. And so they are kept from raising prices to make up for that difference.
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When you're going for a big studio comedy, the joke tally better be pretty high, and you better have some big comedy set pieces. That was one of the issues when I was trying to get 'Swingers' made for the first time, which is that there weren't any broad comedy set pieces.
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The problem most people make with their media presence is they're trying to craft a media presence as opposed to just consistently publishing who they are.
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Remember, most of the things you think you need are ego trips designed to bolster your image and your perception of security.... You'll waste a lot of energy satisfying your ego only to find that, as soon as it's got what it wants, it ignores all your efforts and promptly nails another list of demands to your forehead. The ego will always try to force you to slave for its vision. I wouldn't stand for that BS if I were you.
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For it is probable that when people talk aloud, the selves (of which there may be more than two thousand) are conscious of disserverment, and are trying to communicate but when communication is established there is nothing more to be said.
