Color Quotes
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We know that art is connected with the land, with its salt, with its smell, that outside of national culture there is no art. Cosmopolitanism - a world in which things lose their color and form, and words lose their significance. We love in our past all that we consider native, wonderful and fair.
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My mantra is, 'Don't be afraid of color.' What did it do to you? Do a color testing in alternate kinds of light you desire in the room because the pigment will change. And I refuse to believe that pale pale or white colors in a small room will buy you more square footage. Go with color all the way.
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The most important thing in imaging for me is the dynamic range. The dynamic range means the tones that you can capture from highlights to dark and the bits, the depth of color that you can capture.
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Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
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I've never been one for color theory or color wheels or undertone rules or anything like that. I don't know if my red lipstick 'should' be more blue or more orange.
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In India, you see the way they embrace color in the culture - it's very celebratory of the existence of color. There's no rule of what color belongs together or doesn't belong together. They're not precious about it. It's very full-on.
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With animated film, you have to create the sonic world; there's nothing there. You get to color things in more and you're allowed to overreach yourself a little bit more, and it's great fun.
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You have to get out of your comfort zone in order to grow. And as an actor, you don't become Meryl Streep by doing the same type of comedy. You get there by being challenged. And unfortunately, there's a lack of roles for women of color, so you actually have to be the engineer creating some of those roles.
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I originally thought I would be going into wedding dresses. I wanted to create gowns, especially for weddings. I liked the idea of dealing with just one color, and within that, you could design whatever you want.
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Twitter is a real addiction, like the color of it, the process of it.
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When you see a country take care of its people regardless of class, or how much money they make, or what color they are, that's pretty inspiring.
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I like light, color, luminosity. I like things full of color and vibrant.
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When I came to America, there were two kinds of women: women who looked serious and who didn't wear color and print, and women who looked girly and feminine and like second wives.
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I'm very proud to be representing Latinas and women of color, young mothers and full-figured women. I just love that we're seeing different types of people on screen.
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On my darkest days, I wear my brightest colors.
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Making a movie with people of all different ethnicity, all different skin color and different backgrounds, meant that the movie can literally play all around the world. It's not just a blanket whitewash film like most Hollywood films tend to be.
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I was at a U2 concert and someone asked me if my hair color was real... I thought to myself, if I had $1 for every time someone asked me this, I would be very rich.
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Growing up in the suburbs of Chicago, the color of my skin and my rather peculiar background as an Ethiopian immigrant delineated the border of my life and friendships. I learned quickly how to stand alone.
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Let us labor to add all needful guarantees for the more perfect security of free thought, free speech, and free press, pure morals, unfettered religious sentiments, and of equal rights and privileges to all men, irrespective of nationality, color, or religion.
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Not enough people enjoy working with color, which delights and inspires me.
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Getting Richard Norris his new face wasn't easy. For starters, doctors needed a donor who wasn't just a favorable blood match but also had the proper skeletal features and skin color - they calculated only a 14 percent chance they'd find one. Then there was the epic surgery that took a team of 150 people.
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Diversity in the industry is very lacking, and equal opportunity comes very far and few between for people of color.
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My parents taught me never to judge others based on whom they love, what color their skin is, or their religion.
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Just as counterpoint and harmony follow their own laws, and differ in rhythm and movement, both formal tensions and color tensions have a development of their own in accordance with the inherent laws from which they are separately derived. Both, however, aim toward the realization of the same image. And both deal with the depth problem.
