Color Quotes
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I like the sudden shock of non-sequitur color. Color, in fact, is my weakness.
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There's this perception that there's a pipeline problem for women and people of color. I don't buy into that. I think we have a broken doorbell problem, and there are plenty of women and people of color standing at the doorstep trying to get in the door, and nobody's opening it.
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Everyone—whether straight, gay, lesbian, bisexual or transgender—should be allowed to show their true colors, and be accepted and loved for who they are.
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As I got further into my career, as a character of color, if I was going to have the types of opportunities I felt I deserved, and continue to have them, I was going to have to start creating those opportunities for myself.
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My style is a little masculine, and what I loved about Pyer Moss was how well he can make a blazer, the looseness of those pants, or color palette that he chooses from season to season.
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As a woman of color and curve model, I never imagined when I started modeling that I would be featured in the pages of 'Sports Illustrated.'
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The feedback for 'P.S. I Still Love You' has been pretty amazing. To have written this story about this family with Asian-American characters and be so embraced is really incredible for me as a writer as well as a person of color.
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Statistics show that diversity in the media is pretty dismal. Critical voices from women and people of color are missing from many important conversations.
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I want to make people feel good about who they are regardless of who they are or where they come from or the color of their skin or what their family acts like or what they look like. I am all about acceptance of others and of yourself.
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Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.
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Color in certain places has the great value of making the outlines and structural planes seem more energetic.
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I want things to be great for people of color and for women.
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When I went to Fashion Week, I was very disappointed by how few women of color were in those shows. I do speak to the younger girls, and I hear them when they say they're not getting the big contracts or into the big shows.
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Many photographers are apt to confuse color with noise, and to congratulate themselves when they have almost blown you down with screeching hues alone-a bebop of electric blues, furious reds, and poison greens.
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I general don't color my stuff - I'm pretty horrible with color. Usually, I'll get one of my cartoonist friends to help me out.
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Looking at it now.It all seems so simple.We were lying on your couch.I remember.You took a Polaroid of us.Then discovered (then discovered)The rest of the world was black and white.But we were in screaming color.And I remember thinking…
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The novel and the film of 'The Color Purple' are both works of the imagination that make claim to historical truth.
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True Democracy makes no enquiry about the color of the skin, or the place of nativity. Wherever it sees a man, it recognizes a being endowed by his Creator with original inalienable rights
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If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white.
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White writers in many cases choose not to populate their fiction with people of color. A lot of what I'm doing is trying to write against that, not about race but against the avoidance of race that's such a dominant model in white literary discourse.
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When my hair was dark for 'House,' that was the hardest to maintain because it was like every three weeks my light roots would start coming in. And you can't really just dye your hair one color brown because then it looks like a helmet on television, so then I had to have four colors of brown woven into my hair every three weeks.
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I've had watermelon hair where I had pink with green tips. From the age of 13 to about 19 or 20, I never had my real hair color.
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I don't care what color the parents are. I don't care if it's a giraffe and a fish living together. If they're raising children who believe they're honored and loved, that's all that's important.
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I originally thought I would be going into wedding dresses. I wanted to create gowns, especially for weddings. I liked the idea of dealing with just one color, and within that, you could design whatever you want.
