Color Quotes
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I was working in this very bombastic style. I didn't really know about style. I didn't think about it: I did what I was interested in, what I was attracted to, what I was drawn to. I was drawn to color, and I was drawn to humor, and I was drawn to sexuality and spontaneity. It was all really intuitive. I never really thought, "Well this is the style...
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I am trying to show the world that we are all human beings and that color is not important. What is important is the quality of our work.
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Just as a flower which seems beautiful and has color but no perfume, so are the fruitless words of the man who speaks them but does them not.
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True self-esteem is realizing that you are valuable because you were born. No matter where you came from, what color your skin is, what people say about your family or what mean things people may have done to you, because you were born, you are important and you matter.
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You've got to realize. In the western world, regardless of what color you are, what title the music is, it's all played by the same notes.
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We have a right to expect that the Negro community will be responsible, will uphold the law, but they have a right to expect that the law will be fair, that the Constitution will be color blind, as Justice Harlan said at the turn of the century.
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You look at science fiction and look how often it talks about being alien, being alienated about the other. Look at the number of blue people - 'Avatar,' I'm looking at you. And it is now easier to find people of color in science-fiction literature and media, but the issues of representation are still really, really troubling.
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I think my least favorite hair color was the hair color that I had in 'Pitch Perfect 2.' They really wanted me to be dark red, and I wanted to be lighter like I was in the first movie, but they didn't want that. But I rocked some light red for a year, after it faded.
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Di quel color che per lo sole avversonube dipigne da sera e da mane,vid' îo allora tutto 'l ciel cosperso.
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Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
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My parents taught me never to judge others based on whom they love, what color their skin is, or their religion.
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I don't think that I could have survived in my family without a naughty sense of humor; yeah, absolutely. I think my brother and I both get our senses of humor from our parents. I mean, my mother was absolutely hilarious and foul. She had the most ridiculously off color sense of humor, so that was sort of what we grew up with.
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The feedback for 'P.S. I Still Love You' has been pretty amazing. To have written this story about this family with Asian-American characters and be so embraced is really incredible for me as a writer as well as a person of color.
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When my hair was dark for 'House,' that was the hardest to maintain because it was like every three weeks my light roots would start coming in. And you can't really just dye your hair one color brown because then it looks like a helmet on television, so then I had to have four colors of brown woven into my hair every three weeks.
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I remember walking into drugstores when I was younger and seeing all the hair color boxes on the shelves and just being so in awe. Having the control to dye your hair and change your look is such a part of self-expression.
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I was raised in Nigeria, and my mother is white, but I never saw her as white, not until I came to America. She was just my mother. She didn't really have a color.
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I've never been one for color theory or color wheels or undertone rules or anything like that. I don't know if my red lipstick 'should' be more blue or more orange.
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Color is a power which directly influences the soul.
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Shape and color are my two strong things. And by doing this, drawing plants has always led me into my paintings and my sculptures.
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Ignoring all prejudices of caste, creed, class, color, sex, or race, a swami follows the precepts of human brotherhood. His goal is absolute unity with Spirit.
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If I'm doing a logo, I'll do it in black and white. Once the form is feeling right, only then do I start exploring the color palettes. A good example was the process of rebranding the Salvador Dali Museum. I did at least 100 versions in black and white.
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This world is not one color or culture. Everybody has a story. To tell that story or see that story reflected through art is extremely valuable to the community. The arts belong to everyone and our work should reflect that diversity.
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You can't have too many books featuring people of color, just like you can't have too many books featuring white people.
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There can be no perfect democracy curtailed by color, race, or poverty. But with all we accomplish all, even peace.
