Actors Quotes
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Singers, like Frank Sinatra and myself, we interpret the songs that we like. Not unlike a Shakespearean actor that goes back to the greatest words ever written, we go back to the greatest songs and bring about my interpretation of them.
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Whenever actors tout off about doing their own stunts, it's always ... they're so protective of you that I always know these stunt guys are so good and they're never going to put you in danger. But it's fun to do something kind of exciting, even something as simple as driving 70 through a tunnel with five motorcycles ... it sounds simple, but it's actually really nerve-wracking.
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Sometimes you take a job for the money, sometimes you take it for the location, sometimes you take it for the script; there are just a number of reasons, and ultimately what you see is the whole landscape of it. But I can tell you from behind the scenes - that's what it is, as an actor.
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The most dangerous physicians are those born actors who imitate born physicians with a perfectly deceptive guile.
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Unfortunately, I feel as actors we have to fight for the right to really go in as many directions as possible.
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Many actors want to play Hamlet and Macbeth. Ever since I became an actor, from the very beginning I just wanted to play a Shetland pony. I cannot explain why...
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Generally a wise actor will be very careful about the person to whom he gives that power.
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If you want to protect yourself as an actor, always work with good people
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You become the movie you are making.
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I've dealt with a few method actors, and I don't know if should say this, but I think it's a bunch of nonsense. I think it's film acting and you just have to be on when the camera is rolling.
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When you look at something that's so extraordinary, like a man who is traveling back in time to prevent JFK's assassination, for me as an actor, you're still trying to seed it in some sort of reality.
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When you hire great actors, you're lucky, so you just try to create an atmosphere where they can succeed and relax and take risks. You're happy that you get to watch them at the monitor and that your name is on the director's chair.
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The next movie will be in Mandarin. I enjoyed shooting all the Japanese stuff in Kill Bill so much that this whole film will be entirely in Mandarin.
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How often do we use other people as screens upon which to project our obsessions? Our discontents, dreams, desires, and fears? Well, I always thought, often enough that its a wonder the whole waking world isn't simply viewed as an endless improvised film. One with as many screenwriters, producers, and directors as there are actors.
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The performance is created by the director. The actor is the material. And I think that has to be true.
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I read about some movie where they did everything on blue screen, and the actors were not even connecting to each other.
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Thus, cases of injustice, and oppression, and tyranny, and the most extravagant bigotry, are in constant occurrence among us every day. It is the custom to trumpet forth much wonder and astonishment at the chief actors therein setting at defiance so completely the opinion of the world; but there is no greater fallacy; it is precisely because they do consult the opinion of their own little world that such things take place at all, and strike the great world dumb with amazement.
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In fact, my methodology is based on the idea of waiting for when inspiration arrives for the actors. And that means that the light, the cinematography, everything has to be ready for that moment, so they don't have to wait.
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The best thing an actor can be is ready. Be flexible, be ready.
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I am an actor and of course I respond very positively to flattery.
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I love working with actors. That's what the set really is, for me. It's my time with the actors.
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Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
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I have like 10 actors and 100 aliens in the film Valerian. And they come from the four corners of the universe. Some of them are liquid. Some of them are just so visually crazy.
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the one thing I've observed over the years is the best way to get an actor to not want to play a certain role is to offer it to them. That makes them say, "Well, maybe it's not that good. These guys don't want me to do this..."
