Actors Quotes
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I don't watch rushes. My whole thing is to try to stay in the moment with the other actor, and to let it all hang. I'm not sure I'm right on that, though.
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Certainly as actors, and maybe as directors, you've got to hang on to something childlike. You've got to know what play is. I haven't worked with Mike Leigh, but I know him very well and there's something open in his eyes about what's in front of him. And the same is true of Alfonso in a Mexican, mad way. There's an enthusiastic response to something. Neil Jordan, the same, when he gets excited . You just want to know there's a human being in there.
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I had no natural gift to be anything - not an athlete, not an actor, not a writer, not a director, a painter of garden porches - not anything. So I've worked really hard, because nothing ever came easily to me.
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I love working with actors. That's what the set really is, for me. It's my time with the actors.
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Those familiar with our Musical Theatre Workshops productions will notice this is a very large cast. With only 10 days of rehearsal, these 20 actors will have their work cut out for them. It's definitely a labor of love.
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Sometimes it feels weird being an actor surrounded by all these real fighters and you gotta keep your confidence high and do your best to learn it as quickly as possible.
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As a director, I do very few takes, because I feel like you hire the right actor and they'll do the job right. And the directors that I've worked with and had the best luck with - Jason and [ Steven] Soderbergh and the Coen brothers - all have been that kind of director.
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I think probably the best example was the year Jack Palance dropped down and gave us push-ups when he accepted his award for supporting actor. Then we got to throw away a lot of the script because we just did Jack Palance jokes, because it was just too delicious, watching this old man carry on like that.
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All you have to do to be a camera actor is tell the truth.
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You can't stop being a citizen just because you have a Screen Actors' Guild card.
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Actors today go into TV, which I don't consider has a lot to do with acting. They only think of stardom.
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I'm really inspired right now by a lot of the actors and actresses who are pursuing storytelling outside of just acting. They're writing, producing, they are creating their own material. That's really exciting to me. It feels like the possibilities are endless as far the things that you can make and even where they can be shown.
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We stayed very close to each other [with Leek Kirk], and Lee was amazing. We'd go through the script together, rehearsing it before every shot with the other actors. He was just easy to work with. We were able to put it in my language, which was really important.
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People order clothes out of a catalogue, put it on an actor and everything is generic.
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The former ruling class kept the community of actors in ignorance by means of various lies.
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The play is done; the curtain drops, Slow falling to the prompter's bell A moment yet the actor stops And looks around to say farewell.
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When you left this one theater in Norfolk, the actors had to walk through the lobby to get out to the street. People would see you and say nice things, tell you that you were good. So, pretty soon I'm pretending to forget things backstage, going through the lobby a couple of times.
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Every character actor, in their own little sphere, is the lead.
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There are actors who make no decisions about how to play something until they're in the moment, looking into their scene partner's eyes. So they're completely available for whatever happens. And those are actors who tend to avoid getting into patterns.
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As actors, we were fighting that tooth and nail because of fear, because language is a crutch and dialogue is a crutch, and it's so easy to just have a great writer write you a line.
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The thing with animation is that you record the actors like a radio show and then the animators become actors in their own way because it's their job to take this puppets and make them seem alive. They bring their own personalities to the way they move these puppets.
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Most times when people pitch you as being perfect for a part... they don't look at you as an actor who can transform. A lot of people are so literal.
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Sometimes in the afternoon sky the moon would pass white as a cloud, furtive, lusterless, like an actress who does not have to perform yet and who, from the audience, in street clothes, watches the other actors for a moment, making herself inconspicuous, not wanting anyone to pay attention to her.
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I think that all actors find they go down and then they come back up if you work on your craft. They come back up to the top and then they go back down and they come back up and they go back down.
