Stephen Furst (Stephen Nelson Feuerstein) Quotes
When you left this one theater in Norfolk, the actors had to walk through the lobby to get out to the street. People would see you and say nice things, tell you that you were good. So, pretty soon I'm pretending to forget things backstage, going through the lobby a couple of times.
Quotes to Explore
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Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on.
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As far as actors go, you're not going to find many ballplayers better than me.
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What's funny in 'The Mayor of MacDougal Street' is how Dave Van Ronk talks a lot about the time and how exciting it was and how electric it was.
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When the penalty for a policeman's mistake is to put a criminal back out on the street, then we are hurting America; we are hurting our law-abiding citizens.
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I met in the street a very poor young man who was in love. His hat was old, his coat worn, his cloak was out at the elbows, the water passed through his shoes, - and the stars through his soul.
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I knew the profanity used up and down my street would not go over the air... So I trained myself to say 'Holy Cow' instead.
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Oil futures were originally created to give heating oil dealers, gas retailers, aviation companies and other businesses a method of hedging against adverse price changes. Instead, they've become just another Wall Street plaything.
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I love going to the movies; I love watching good movie actors. They must know something I don't.
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In the house in Beverly Hills where our four children grew up, living conditions were a few thousand times improved over the old tenement on New York's East 93rd Street we Marx Brothers called home.
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If I had been told to get out of the street as a teenager, there would have been a distinct possibility that I might have smarted off. But, I wouldn't have expected to be shot.
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I grew up around backstage, and that clinched it for me.
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The actors that I love to work with, they're hard on me. They're pushing me.
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And I used to go the punk clubs such as a gay club in Poland Street that everyone would go to because it was the only place you could go to looking like that without getting beaten senseless.
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I follow Elle Fanning's career. I really like to follow actors who are a similar age to me. Just to see what they're up to.
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I think there is a lot of space for people to love who they love, and a lot of space for actors to carve a niche for themselves.
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There's no recovery on Main Street, I can tell you that for sure. And in a re - in an economy like this, we don't need to be raising anybody's taxes.
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Enforcement efforts should focus on aggressive prosecution of bad actors under existing anti-fraud laws rather than imposing costly and largely ineffective procedural requirements on all public companies.
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As a writer, all you want to do is write for great actors. That's all.
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It doesn't matter if you work with an Oscar winner or if you work with an unknown actor. There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director.
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I knew Matt Damon and Ben Affleck were really talented. As actors, they were both studly young men, and they had great writers' chops.
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I wrote a great deal about the Civil Rights Movement when I was writing for 'The Nation' in the '60s, and also for Esquire magazine. Reading the biography of Coffin, it just reminded me that in those days, when you saw the term 'Christian,' it usually meant people for civil rights and for justice.
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Anarchy is a word that comes from the Greek, and signifies, strictly speaking, "without government": the state of a people without any constituted authority. Before such an organization had begun to be considered possible and desirable by a whole class of thinkers, so as to be taken as the aim of a movement (which has now become one of the most important factors in modern social warfare), the word "anarchy" was used universally in the sense of disorder and confusion, and it is still adopted in that sense by the ignorant and by adversaries interested in distorting the truth.
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I came to America when I was 9. My mother brought me.
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When you left this one theater in Norfolk, the actors had to walk through the lobby to get out to the street. People would see you and say nice things, tell you that you were good. So, pretty soon I'm pretending to forget things backstage, going through the lobby a couple of times.
