Classic Quotes
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No work which is destined to become a classic can look like the classics which have preceded it. In art, as in biology, there is heredity but no identity with the ascendants. Painters inherit characteristics acquired by their forerunners; that is why no important work of art can belong to any period but its own, to the very moment of its creation. It is necessarily dated by its own appearance. The conscious will of the painter cannot intervene.
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In a sense, evolution adheres to the classic twelve-step program: it takes things one day at a time. It does not strive for perfection; it does not strive at all. There is no progress, no plans, no scala natura, or scale of nature, that ranks organisms from lowly to superior, primitive to advanced.
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I'm increasingly less interested in classic storylines and that arc that we have come to expect.
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This impeccably researched study of the classic black insult game may be the funniest work of serious scholarship ever published.
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All the classic jazz players all sang and a lot of 'em sang blues.
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Classic was Jimmy Savile’s use of the cloak of authority and kindness. Savile’s celebrity allowed him to acquire this authority. As we consider the regulation of the media and the legal right to privacy it is worth reflecting on how the Savile scandal happened. It happened because the aura of Sir Jimmy’s celebrity protected him from scrutiny by the press.
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I read somewhere that Rubens said students should not draw from life, but draw from all the great classic casts. Then you really get the measure of them, you really know what to do. And then, put in your own dimples. Isn't that marvelous!
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What I don't find compelling is doing classical plays that everyone already knows - and people are following with the text in their hand because no one is listening.
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The Princess Bride S. Morgenstern's Classic Tale of True Love and High Adventure You had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it.
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From folk to tribal to Cab Calloway, Cole Porter, Gershwin to the Rolling Stones, whose first record was all covers, to country-western, bebop, blues, and even the referencing in classic hip hop to cliched love ballads of the '80s or whatever - that is kinda gone, and that's just terrifying to me.
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I did the original Robotron game back in 1982. To me it's still one of the classic 2D games as far as action and decisions per second, and kills per second, and explosions per second. It's super-frenetic and totally involving. There's been a lot of games since, a lot of Robotron sequels. A lot of them haven't even captured the magic of Robotron, much less moving things forward.
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We don't want to impose our solutions by force, we want to create a democratic space. We don't see armed struggle in the classic sense of previous guerrilla wars, that is as the only way and the only all-powerful truth around which everything is organized. In a war, the decisive thing is not the military confrontation but the politics at stake in the confrontation. We didn't go to war to kill or be killed. We went to war in order to be heard.
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I feel like I can make records where, you know, I can get in the alley and exchange bars with Styles P, but I can also get in the studio and create a classic with Rihanna.
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Bring down Mike Mann and we can bring down the IPCC, they reckoned. It is a classic technique for the deniers movement, I have discovered, and I don't mean only those who reject the idea of global warming but those who insist that smoking doesn't cause cancer or that industrial pollution isn't linked to acid rain.
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A classic is a book that has never finished saying what it has to say.
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Like any classic you hope to get rid of all the varnish that's built up over the centuries where people expect it to be in a certain way. It's a mighty play. It's about a very old king who also happens to be a very old father, so you've got the state and the domestic levels in there together. It's a story in extremis. Everyone knows the end, there's only two people left alive.
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I feel like I hadn't given that many classic films, like, a really good chance. I watched 'Casablanca' a really long time ago when I was like, 12. I didn't like it that much, and then when I saw it again in class, I loved it.
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Imitation is flattery, and The Hills Have Eyes is a classic.
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You must be classic. Put yourselves before the model in a workmanlike spirit.
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I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
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To only call Wizards, Aliens, and Starships engaging would be a real understatement--it is a delightful, funny, and immensely interesting romp through science and fiction. From candlepower to teleportation, all the way to the fate of the cosmos in the span of a googol years, this is a cornucopia of teachable material. It is also a reminder of the simple thrill of applying science to the world around us, real or imagined. A new classic.
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I like the old, classic scary movies. I love 'Psycho,' 'The Sixth Sense,' and 'Poltergeist.'
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When I was a lot younger, my parents raised me watching classic movies.
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Alexander von Humboldt’s wide-ranging Views of Nature is a masterpiece of nineteenth-century natural history, at once science and art. Mark W. Person’s stunning new translation makes the wonders of this classic accessible to the English-language world of the present.
