Picture Quotes
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I make the woman look at the camera as a symbol of all the eyes that will see the picture I am making.
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I don't mind if somebody comes up to me and shakes my hand, but if I'm in the middle of a restaurant and somebody asks me for a picture, I can be a jerk and say no, or I can say yes and draw more attention to myself, which is exactly the opposite of what I want.
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I was surprised as anyone when T-shirts, jeans and leather jackets suddenly became symbols of rebellion. In the film there was a scene in which somebody asked my character, Johnny, what I was rebelling against, and I answered 'Whaddya got?' But none of us involved in the picture ever imagined that it would instigate or encourage youthful rebellion.
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My Saviour! fill up the blurred and blotted sketch which my clumsy hand has drawn of a Divine life, with the fullness of Thy perfect picture. I feel the beauty I cannot realize; robe me in Thine unutterable purity.
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The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
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Flash photography can be horrible. In the hands of an expert who knows how to bounce all that searing bright light in the right direction, it may make an impossible picture workable.
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Anybody can direct a picture once they know the fundamentals. Directing is not a mystery, it's not an art. The main thing about directing is: photograph the people's eyes.
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We paint a slow picture. You can see the brushstrokes. We don't get to the point, and sometimes when we do, our readers don't notice, in fact. It's so couched in nuance, it can fly right over a person's head. 'What was that you said? I couldn't quite make it out.'
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Think of an abstract painting as very, very low relief - a thing, not a picture.
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I'm not good at being a picture-perfect pop star, happy all the time. If I'm having a bad day, I can't pretend. I'm always a bit unhappy, but that's just me. I like dwelling in my sadness.
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I'm admittedly a record guy. Singles and I are a different beast. I'm definitely an overall picture thinker.
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I've been watching politics for 35 or 40 years and you just never know. You can have one person win the Iowa caucus and then the whole picture changes ten minutes later. The same thing can happen again after New Hampshire. I have no idea what's going to happen with our country in the future.
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A woman of the world is anxious to exhibit her form and shape, whether walking, standing, sitting, or sleeping. Even when represented as a picture, she desires to captivate with the charms of her beauty and, thus, to rob men of their steadfast heart.
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The end of a picture is always an end of a life.
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When I see something, I know why something's funny or seems to be funny. But in the end it's just another picture as far as I'm concerned.
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Film is always a fight because you're the person, as the director, with a clear picture in your head of what you think is really exciting, and you're just trying to convince a bunch of other people to buy into that.
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A very subtle difference can make the picture or not.
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I was surprised I was nominated for an Oscar because 'Cocoon' was such an ensemble picture. But now I'm certain it wasn't only for 'Cocoon.' It was a lifetime award, so I accepted it in that vein, and it probably meant more from a recognition standpoint.
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There's certainly pressure to find your audience early. You need to paint the picture, but it's tough trying to find the balance between a show that people can tune in on any given week while still grabbing the people who are there every week.
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I thought, "If I could bring these characters [Wonder Boys] to life and lead the audience to react the same way I did, this could be a really special picture." Then I read Michael's [Chabon] novel and got even more enthusiastic about it.
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My assumption is that fundamentally the picture of the human animal, as developed by Freud, is largely right.
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I definitely try to keep some level of style on my days off because you never know who's going to snap your picture.
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At best Americans give but limited attention to history. Too much happens too rapidly, and before we can evaluate it, or exhaust its meaning or pleasure, there is something new to concern us. Ours is the tempo of the motion picture, not that of the still camera, and we waste experience as we wasted the forest.
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I didn't have picture books - there weren't many around when I was a child.
