Picture Quotes
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On every single picture on my Instagram page, you'll find a negative comment. My supporters will normally stand up to that hateful person, and then it will become a big argument, and it's just a lot. I try to tell myself not to listen to the haters, and I try not to read the comments because it's not worth it.
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I don't feel that comfortable being on the runway with a G-string. I shoot G-strings with Victoria's Secret, but on the runway... It's really about the moment. I work with professionals. Professional people make everything look perfect, they make everything that you're wearing look great, if it's in a picture or on the runway.
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Generally in my films like 'Hearts of Darkness' or 'Picture This,' I try not to make myself a presence in the film.
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I read, studied, and learned everything I could find about aviation. It was my greatest desire to become a pilot. I could already picture myself in the cockpit of an airliner or in a military fighter plane. I felt deep in my heart this was my thing!
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I had always planned to make a large painting of the early spring, when the first leaves are at the bottom of the trees, and they seem to float in space in a wonderful way. But the arrival of spring can't be done in one picture.
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When people tell you they saw your last picture - well, the way they say it sounds like they hope it was.
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I just thought it was magic that you could stick a bit of paper in some coffee-type liquid and a picture comes out.
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Look at a picture of me before I was 15. I am a boy. I wore my brother's clothes, dude!
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I am a daughter of that land,Where the poet’s lip and the painter’s handAre most divine, -where the earth and sky,Are picture both and poetry-I am of Florence.
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Because psychologists have been able to discover, exactly as in a slow-motion picture, the way the human creature acquires knowledge and habits, the normal child has been vastly helped by what the retarded have taught us.
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I did have a child, and I was reading a lot of picture books to her, but at the same time writing a children's book was something that I'd been wanting to do for many years, pretty much since the start of my career.
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The picture of change in human society that emerges from this recent research throws new light on that aspect of the Transition that has been called the ‘Upper Palaeolithic Revolution’ and the ‘Creative Explosion’ – that time when recognizably modern skeletons, behaviour and art seem to have appeared in western Europe as a ‘package deal’.
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I went on the 'Outlander' Facebook page - this is when I kind of first got a sense of what people thought about Laoghaire, because I went on the 'Outlander' Facebook page and found this picture of myself, and there were all these comments, and a lot of them were great.
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Consider the bigger picture.....think things through and fully commit!
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I loved the independent spirit of the whole experience, instead of doing a big Hollywood picture, or something like that where I would have felt more out of place.
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Sliding headfirst is the safest way to get to the next base, I think, and the fastest. You don't lose your momentum, and there's one more important reason I slide headfirst, it gets my picture in the paper.
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New content online no longer requires new stories or information, just new ways of linking things to other things. Or as the social networks might put it to you, 'Jane is now friends with Tom.' The connection has been made; the picture is getting more complete.
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In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
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The Birds could be the most terrifying motion picture I have ever made.
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I am not a big fan of meaning. Logic is also another nebulous thought. I attempt to bring threads of subjects, however shaggy, to my work and inject little suggesters to the picture itself, and this often puts a smile on my face.
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I would never apologize for photographing rocks. Rocks can be very beautiful. But, yes, people have asked why I don’t put people into my pictures of the natural scene. I respond, 'There are always two people in every picture: the photographer and the viewer.' That usually doesn’t go over at all.
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I didn't have picture books - there weren't many around when I was a child.
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If you look back to a picture of me when I was 12 years old, you will probably see me in a leather jacket trying to look like Elvis!
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It's really hard to find materials. Also, prices of metal have gone completely through the roof, insanely expensive. And if you go to a dictionary and look up starving artist, you'll see my picture.
