Picture Quotes
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Maybe it was senseless to want to be near a person so badly here in a country where bullets had shredded her own brothers to pieces. But all Laila had to do was picture Tariq going at Khadim with his leg and then nothing in the world seemed more sensible to her.
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You return and again take the proper course, guided by what? - By the picture in mind of the place you are headed for.
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'What would Jesus drive?' I don't know about you, but I always picture my God having a driver. Well, Jesus would naturally have an SUV, cause He always had those twelve idiots hanging around, making Him change shit into food every four and a half minutes. 'See the cigarette? It's a fish. Leave me alone.'
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It's good that everyone has an opportunity to take pictures, the chance to be a photographer. Some are good, too. But the bad thing is that it's very, very difficult to take a great picture. Everyone can take a good picture - even a child - but it's hard to make a great one.
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I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.
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When I started out, it was considered very wrong to change an image. There were scandals if someone inserted a sky into a war picture or something. Now it's all about that.
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Eighty percent of a picture is writing, the other twenty percent is the execution, such as having the camera on the right spot and being able to afford to have good actors in all parts.
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We pack the physical outline of the creature we see with all the ideas we have already formed about him, and in the complete picture of him we compose in our minds those ideas have certainly the principal place.
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Every time I copy something, I can draw it for the rest of my life. But research is so painful - I mean just opening up a magazine looking for a picture of a car or looking out the window looking for a car is just hard!
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The hard part is how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, of air and space.
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It's not an epitaph. I felt I could look back at my life and get a good story out of it. It's a picture of somebody trying to figure things out. I'm not trying to create some impression about myself. That doesn't interest me.
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I have a very clear picture of what I want to do and what I feel is important as far as my contribution or my appreciation and respect for this life that we're living, and to try to make it better. I can't feel that I'm making it better playing commercial music, and I never could, and I never will.
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I started out as an artist, and what I do is verbal paintings. I paint a picture. Hopefully, you'll see the characters and what they're doing and what they're saying.
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Every picture that is successful has one little miracle in it.
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I don't have anything to say in any picture. But you do, from your experience, surmise something. You do give a photograph symbolic content, narrative content... But it's nothing to worry about!
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But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds.
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There was a big drive when I was at art school to make you aware of the economy of meaning - after all, this was still during the tail end of minimalism. Being responsible for everything you put in your picture, and being able to defend it. Keeping everything clear around you so you know what is operating. To open the wound and keep it clean.
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Most practising scientists focus on 'bite-sized' problems that are timely and tractable. The occupational risk is then to lose sight of the big picture.
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A picture is worth a thousand words. An interface is worth a thousand pictures.
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I feel profoundly blessed. I feel it's a great privilege to make any motion picture.
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When I have heard him talking to Papa during the sittings for the picture, I have sat wondering whether it could be that he has no belief in anybody else, because he has no belief in himself.
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The only way I get a leading role in a studio picture is if Ryan Gosling can't play it, which is clearly the case with 'Selma.' If this was a non-colour-specific character, it wouldn't be me. It just wouldn't.
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Time, space, and natural law hold for me suggestions of intolerable bondage, and I can form no picture of emotional satisfaction which does not involve their defeat - especially the defeat of time, so that one may merge oneself with the whole historic stream and be wholly emancipated from the transient and the ephemeral.
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When I'm on the court, I picture myself as like a gladiator.