Picture Quotes
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I had to find a way in each picture to change the drawing, shaping and tactile qualities to make these elements expressive; as the color had subsumed the possibility the possibility of these parts being on a equal basis of expressiveness.
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My dog barks some. Mentally you picture my dog, but I have not told you the type of dog which I have. Perhaps you even picture Toto, from The Wizard of Oz. But I can tell you, my dog is always with me. WOOF!
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The impossibility of separating the nomenclature of a science from the science itself, is owing to this, that every branch of physical science must consist of three things; the series of facts which are the objects of the science, the ideas which represent these facts, and the words by which these ideas are expressed. Like three impressions of the same seal, the word ought to produce the idea, and the idea to be a picture of the fact.
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For our senior picture, they said, 'Black or navy blazer.' And I thought, Why do I want to look like everybody else?
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I have a foolproof device for judging whether a picture is good or bad. If my fanny squirms, it's bad. If my fanny doesn't squirm, it's good.
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You return and again take the proper course, guided by what? - By the picture in mind of the place you are headed for.
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It is absolutely impossible for a subject to see or have insight into something while leaving itself out of the picture, so impossible that knowing and being are the most opposite of all spheres.
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She couldn’t picture anyone falling madly in love with such a person as Fish. What a name, Fish...Fish: think cold, slippery, detached. Benedict: think dry scholarly monk from the Dark Ages. Denniston: think English preparatory school, stolid country squire. Nothing about his name sounded the least bit romantic.
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Some photographers work on the same image for hours and hours and then use the first picture that they took.
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You go down some street - no doubt it's there, and we have to do something about it, and our programmes are designed to do that - but if that's a picture of Newcastle, it's not the one I recognise and I bet none in the North East do either.
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Quite often I can be in a bookshop, standing beneath a great big picture of myself and paying for a book with a credit card clearly marked John Grisham, yet no one recognises me. I often say I'm a famous author in a country where no one reads.
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If I was in love with someone, I would get their picture out of the school yearbook and do portraits. If I was curious about sex, I would draw pictures of it. There were no books for me to look at. Then I would go find my father's matches to burn the paper.
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I left 'L.A. Law' after five years when my contract was up because I felt I had done all I could do with the character. I didn't walk off the show with a three-picture deal to pursue this wonderful film career.
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When you do a studio picture, all the paperwork and legal stuff is already taken care of!
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I am not a big fan of meaning. Logic is also another nebulous thought. I attempt to bring threads of subjects, however shaggy, to my work and inject little suggesters to the picture itself, and this often puts a smile on my face.
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One always talks of surrendering to nature. There is also such a thing as surrendering to the picture.
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I know I must live in France, but I don't want to cut myself off from America. France is a picture already painted. America still has to be painted. Maybe that's why I feel freer there. But when I work in America, it's like shouting in a forest. There's no echo.
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The hard part is how to plan a picture so as to give to others what has happened to you. To render in paint an experience, to suggest the sense of light and color, of air and space.
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If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.
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There's evidence of a social decline in direct proportion to technology and the industrialization of the motion picture industry.
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If you ever see The Rock working out in the gym, don't think you can just go up and disturb his workout and expect him to take a picture. He's there to work, so kindly just pass the silverback on by or he'll rip your face off.
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Disneyland is something that will never be finished. It's something that I can keep developing. It will be a live, breathing thing that will need change. A picture is a thing, once you wrap it up and turn it over to Technicolor, you're through. Snow White is a dead issue with me. But I can change the park, because it's alive.
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I have things that I'm interested in, and I'm not really interested in writing about anything that I'm not interested in. But it's important to me to be able to see it from a different perspective, and add something new to the whole picture.
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I just get inspired to take a picture by the beauty and vulnerability of my friends.
